Making Handmade Pottery for Everyday Rituals and Books for Blooming Hearts.
Creating Slowly, Intentionally, Wholeheartedly.
Local Handmade Pottery
Tiny companions for the things you carry.
Bag Buddies are hand-formed ceramic charms made to travel with you — clipped to a handbag, tote, backpack, keyring or wherever a little something belongs.
Each one is individually carved in my Murrumbateman studio, with tiny scenes drawn from country life: rolling hills, little cottages, gum trees, hot air balloons and long roads home.
No two are quite the same. Each carries its own little story.
Made for the collectors, the stationery lovers, the sentimental ones — and anyone who still believes the smallest things can bring the most joy.
At a Glance
Approx. 5cm diameter
Ceramic charm with gold clasp hardware
Lightweight and made for everyday use
Handmade in Murrumbateman, NSW
Teaching is saying, “I just need to get through this week”, until you retire!
Some mugs hold coffee. Smug Mugs hold opinions.
A handmade ceramic Teacher Edition Smug Mug for anyone who has ever started Monday thinking, Right. Just get through this week, only to realise they have somehow been saying the exact same thing since 2007.
Hand-carved with “Teaching is saying, ‘I just need to get through this week’, until you retire!”, this Smug Mug features Whistle & Page’s signature raw clay text panel against a hand-glazed ceramic body. Handmade in Murrumbateman, NSW, it is a lovingly sarcastic tribute to the eternal teacher survival strategy: make it to Friday, then reassess.
Why it’s a must-have
Because teaching has a remarkable ability to turn “I just need to get through this week” into a lifelong career philosophy.
You say it before reports are due. Before parent-teacher interviews. Before excursions. Before the end of term. Before the beginning of term. Before the staff meeting that absolutely could have been an email. Then Friday arrives, and you think, Well, I survived that. Only approximately 47 more weeks to go.
And yet, somewhere between the chaos, the marking, the emails, the questions, the laughter and the children who somehow lose the same pencil six times in one day, you keep showing up.
This mug is for the teacher who knows that sometimes you don't need a five-year plan. You just need coffee and a slightly more achievable goal: make it to Friday.
Features
Approx. 360ml
Approx. 9.0cm (H) × 9.0cm (W)
Hand-carved phrase
Signature raw clay text panel
Hand-glazed ceramic body
Handmade in Murrumbateman, NSW
Individually finished and sanded on the base
Benefits
A generous mug for the caffeine required to make it to Friday
A painfully relatable gift for teachers who have perfected the weekly survival strategy
A funny reminder that sometimes getting through the week is achievement enough
Handmade character with considerably more personality than ordinary staffroom crockery
Perfect for coffee, tea and staring into the middle distance while mentally counting down to retirement
I became a teacher for the money and fame, obviously!
Some mugs hold coffee. Smug Mugs hold opinions.
A handmade ceramic Teacher Edition Smug Mug for the educators who apparently entered the profession for the enormous salary, international celebrity status and adoring public. Obviously.
Hand-carved with “I became a teacher for the money and fame, obviously!”, this Smug Mug features Whistle & Page’s signature raw clay text panel against a hand-glazed ceramic body. Handmade in Murrumbateman, NSW, it brings a little sarcasm to a profession that somehow requires the patience of a saint, the organisational skills of a military commander and the ability to function on caffeine and determination.
Why it’s a must-have
Because nobody becomes a teacher because they heard there was loads of money and fame involved.
They become teachers because they care about children, love learning, want to make a difference and apparently enjoy being asked “Are we doing anything today?” approximately four minutes after explaining exactly what you are doing today.
This is for the teacher who can laugh at the ridiculousness of it all. The one who spends their days teaching, planning, marking, organising, encouraging, problem-solving, mediating and somehow knowing whose water bottle belongs to whom.
The fame may be questionable. The salary may inspire some creative accounting. But the impact? Absolutely priceless.
Features
Approx. 360ml
Approx. 9.0cm (H) × 9.0cm (W)
Hand-carved phrase
Signature raw clay text panel
Hand-glazed ceramic body
Handmade in Murrumbateman, NSW
Individually finished and sanded on the base
Benefits
A generous mug for the caffeine powering the education system
The perfect gift for a teacher with an excellent sense of humour
A funny reminder that nobody chose teaching for the private jet
Handmade character with considerably more personality than ordinary staffroom crockery
Perfect for coffee, tea and contemplating your apparently glamorous career choice
Teachers’ Superpower: Knowing it's a full moon without looking at the night sky.
Some mugs hold coffee. Smug Mugs hold opinions.
The Teacher's Edition is a handmade ceramic mug for the people who can tell something is wrong with the universe because 28 children have suddenly forgotten how to sit down.
Hand-carved with “Teachers’ Superpower: Knowing it's a full moon without looking at the night sky!”, it features Whistle & Page's signature raw clay text panel against a hand-glazed ceramic body. Each mug is made by hand in Murrumbateman, so yours will have its own little quirks, character and evidence that an actual human made it.
Why it’s a must-have
Because teachers deserve crockery that understands them.
For the teacher who can sense a full moon from across the playground, identify the exact child responsible for the suspicious silence and somehow answer “Can I go to the toilet?” for the 47th time before morning tea.
It is part coffee mug, part personality trait and part highly necessary classroom survival equipment.
Features
Approx. 430ml
Approx. 9.5cm (H) × 9cm (W)
Hand-carved Teacher's Edition phrase
Signature raw clay text panel
Hand-glazed ceramic body
Handmade in Murrumbateman, NSW
Individually finished and sanded on the base
Benefits
Your coffee comes with professional solidarity
A very good gift for the teacher who has seen things
Generous enough for a proper cup of tea or coffee
Handmade character you won't get from a staffroom mug
An excellent conversation starter, particularly when someone asks, “Is it a full moon?”
To clarify: Teachers are not "off for the summer", they are in recovery!
Some mugs hold coffee. Smug Mugs hold opinions.
A handmade ceramic Teacher Edition Smug Mug for the educators who have spent the school year teaching, planning, marking, organising, remembering, mediating, explaining the same thing approximately 900 times and somehow keeping an entire classroom moving forward.
Hand-carved with “To clarify: Teachers are not ‘off for the summer’, they are in recovery!”, this Smug Mug features Whistle & Page’s signature raw clay text panel against a hand-glazed ceramic body. Handmade in Murrumbateman, NSW, it is a small but important correction to the annual “So, enjoying your holidays?” conversation.
Why it’s a must-have
Because teachers don't simply finish school and magically become people with boundless energy and a clean mental inbox. They have survived a year of lesson plans, deadlines, behaviour management, endless emails, lost jumpers, mysterious classroom objects, “But why do we have to?” and the eternal teacher classic: “Can I go to the toilet?”
Summer is not time off. It is the period in which the nervous system is gently informed that nobody needs a worksheet by Monday.
For the teacher who has earned every sleep-in, every uninterrupted coffee, every book read for pleasure and every glorious day without hearing their name shouted from across a classroom.
Features
Approx. 380ml
Approx. 8.5cm (H) × 9.0cm (W)
Hand-carved phrase
Signature raw clay text panel
Hand-glazed ceramic body
Handmade in Murrumbateman, NSW
Individually finished and sanded on the base
Benefits
A generous mug for the coffee required during post-school-year recovery
The perfect gift for a teacher who has earned their summer
A funny, relatable reminder that teaching is considerably more than “having school holidays”
Handmade character with plenty of personality
Perfect for slow mornings, uninterrupted caffeine, and absolutely no one asking to use the bathroom.
Anyone want to meet up & just scream? Coffee after!
Some mugs hold coffee. Smug Mugs hold opinions.
A handmade ceramic mug for anyone who has ever looked at their calendar, their inbox, the news, the group chat or just the general state of things and thought, Yep. I need to scream.
Hand-carved with “Anyone want to meet up & just scream? Coffee after!”, this Smug Mug features Whistle & Page’s signature raw clay text panel against a hand-glazed ceramic body. Handmade in Murrumbateman, NSW, it is an invitation to skip the small talk, release some feelings and then do what sensible adults do: get coffee.
Why it’s a must-have
Because sometimes you don't need a solution. You don't need a productivity hack, a motivational podcast or someone asking what you're going to do about it.
Sometimes you need a friend who understands completely. Someone willing to meet you somewhere, scream into the void for approximately thirty seconds and then sit down with a coffee like two perfectly respectable members of society.
No fixing. No judgement. No pretending everything is fine. Just scream. Then coffee.
Features
Approx. 370ml
Approx. 8.0cm (H) × 9.5cm (W)
Hand-carved phrase
Signature raw clay text panel
Hand-glazed ceramic body
Handmade in Murrumbateman, NSW
Individually finished and sanded on the base
Benefits
A generous mug for the coffee that follows your emotional release
An excellent gift for the friend who is one minor inconvenience away from screaming
Handmade character with considerably more personality than ordinary crockery
A reminder that sometimes being heard is more useful than being fixed
Perfect for coffee, tea and recovering from whatever the fuck just happened
Today's mood is sponsored by my meds!
Some mugs hold coffee. Smug Mugs hold opinions.
A handmade ceramic mug for anyone who has discovered that sometimes the difference between “absolutely not” and “actually, I've got this” is remembering to take the little thing that helps keep the wheels on.
Hand-carved with “Today's mood is sponsored by my meds!”, this Smug Mug features Whistle & Page's signature raw clay text panel against a hand-glazed ceramic body. Handmade in Murrumbateman, NSW, it brings a little humour to the very real business of getting through the day.
Why it’s a must-have
Because life does not always arrive in a neat, manageable package. Sometimes your brain has other plans, your energy has left the building and your ability to deal with one more thing is currently sitting somewhere around absolutely fucking not.
For anyone who has found the right support, worked out what helps them function and has no interest in pretending they can simply positive-think their way through everything.
Today might be better. Tomorrow might be weird. Either way, the meds are doing some of the heavy lifting and we're giving them a shout-out.
Features
Approx. 360ml
Approx. 8.0cm (H) × 9.0cm (W)
Hand-carved phrase
Signature raw clay text panel
Hand-glazed ceramic body
Handmade in Murrumbateman, NSW
Individually finished and sanded on the base
Benefits
A generous mug for the caffeine that accompanies your functioning
A funny and relatable gift for someone who knows what helps them get through the day
Handmade character with considerably more personality than ordinary crockery
A reminder that getting support is something to be proud of, not hide
Perfect for coffee, tea and whatever version of yourself has shown up today
Due to personal reasons, I'm evil now!
Some mugs hold coffee. Smug Mugs hold opinions.
A handmade ceramic mug for anyone who has decided that, following recent developments, being the bigger person is simply no longer available.
Hand-carved with “Due to personal reasons, I'm evil now!”, this Smug Mug features Whistle & Page’s signature raw clay text panel against a hand-glazed ceramic body. Handmade in Murrumbateman, NSW, it is part morning caffeine, part public service announcement.
Why it’s a must-have
Because sometimes you don't become a villain. You just run out of patience.
Perhaps someone tested you. Perhaps the group chat has been particularly trying. Perhaps you've spent years being reasonable and have finally decided that this character development arc looks much more fun.
For anyone who has reached the point where “I'll take the high road” has been replaced with “Actually, I have considered the alternatives.”
Are you evil? Probably not. Are you taking a brief sabbatical from being nice? Absolutely.
Features
Approx. 350ml
Approx. 8.0cm (H) × 9.5cm (W)
Hand-carved phrase
Signature raw clay text panel
Hand-glazed ceramic body
Handmade in Murrumbateman, NSW
Individually finished and sanded on the base
Benefits
Excellent vessel for coffee, tea and minor villainy
A hilarious gift for someone who has officially had enough
Handmade character with considerably more personality than ordinary crockery
A daily reminder that boundaries can occasionally look suspiciously like evil
Perfect for sipping caffeine while reconsidering your commitment to being the bigger person
I might be laid back, but I can lean forward real quick!
Some mugs hold coffee. Smug Mugs hold opinions.
A handmade ceramic mug for anyone who is generally pretty relaxed, reasonably easy-going and perfectly happy to mind their own business, right up until something requires their immediate attention.
Hand-carved with “I might be laid back, but I can lean forward real quick!”, this Smug Mug features Whistle & Page’s signature raw clay text panel against a hand-glazed ceramic body. Handmade in Murrumbateman, NSW, it is a little reminder that being laid-back should never be confused with being a pushover.
Why it’s a must-have
Because there is a difference between being easy-going and being available for nonsense.
This is for the person who is happy to sit back, enjoy their coffee and let things unfold, but can become impressively alert when somebody crosses a line, touches their food, starts talking rubbish or otherwise gives them a reason to get involved.
Calm? Usually. Chill? Absolutely. Capable of leaning forward with surprising speed when required? Also absolutely.
Features
Approx. 500ml
Approx. 9.0cm (H) × 10.0cm (W)
Hand-carved phrase
Signature raw clay text panel
Hand-glazed ceramic body
Handmade in Murrumbateman, NSW
Individually finished and sanded on the base
Benefits
A generous mug for people with a relaxed exterior and excellent reflexes
A daily reminder that laid-back does not mean push-over
An excellent gift for the person who is chill until they're very much not
Handmade character with plenty of personality
Perfect for coffee, tea and keeping one eye on whatever nonsense is unfolding nearby
Over - whelmed - stimulated - tired - thinking - it. But I'm fine. It's fine.
Some mugs hold coffee. Smug Mugs hold opinions.
A handmade ceramic mug for anyone currently experiencing all the tabs being open at once, while insisting everything is completely under control.
Hand-carved with “Over-whelmed-stimulated-tired-thinking-it. But I'm fine. It's fine.”, this Smug Mug features Whistle & Page’s signature raw clay text panel against a hand-glazed ceramic body. Handmade in Murrumbateman, NSW, it is a very honest little vessel for the person whose brain has apparently decided to run every programme simultaneously.
Why it’s a must-have
Because sometimes “I'm fine” means I have answered 47 questions, remembered something from 2013, thought about the thing I forgot yesterday, become irritated by a noise nobody else can hear and now require everyone to stop asking me questions.
It is for the over-thinkers, the over-feelers, the over-doers and anyone whose internal monologue has recently become a full production with multiple storylines.
The good news is: coffee.
The other good news is: it's fine.
Features
Approx. 460ml
Approx. 8.5cm (H) × 9.5cm (W)
Hand-carved phrase
Signature raw clay text panel
Hand-glazed ceramic body
Handmade in Murrumbateman, NSW
Individually finished and sanded on the base
Benefits
A deeply relatable companion for your morning caffeine
Excellent gift for anyone currently holding it together with snacks and sheer determination
Handmade character with considerably more personality than ordinary crockery
A reminder that you don't have to pretend your brain isn't doing the absolute most
Perfect for coffee, tea and staring into space while processing approximately seventeen things
Ready to buy. Already made, fired and waiting for someone who is, obviously, completely fine.
We wanted to be adults so bad. Now look at us. Just look!
Some mugs hold coffee. Smug Mugs hold opinions.
A handmade ceramic mug for anyone who spent their childhood desperately wanting to be a grown-up and would now like to formally request a refund.
Hand-carved with “We wanted to be adults so bad. Now look at us. Just look!”, this Smug Mug features Whistle & Page’s signature raw clay text panel against a hand-glazed ceramic body. Handmade in Murrumbateman, NSW, it is a celebration of adulthood in all its deeply confusing, surprisingly expensive and occasionally ridiculous glory.
Why it’s a must-have
Because nobody warned us that being an adult was mostly remembering passwords, deciding what's for dinner, making appointments, paying for things you don't remember ordering and becoming disproportionately excited about a really good storage solution.
We thought adulthood meant freedom. Independence. Staying up as late as we wanted. Turns out it also means being personally responsible for literally everything.
For anyone who occasionally looks around at their life and thinks, Hang on. Who gave me the keys?
Features
Approx. 450ml
Approx. 8.5cm (H) × 9.5cm (W)
Hand-carved phrase
Signature raw clay text panel
Hand-glazed ceramic body
Handmade in Murrumbateman, NSW
Individually finished and sanded on the base
Benefits
A highly relatable companion for your morning caffeine and existential confusion
Excellent gift for the adult who is absolutely winging it
Handmade character with considerably more personality than standard-issue crockery
A daily reminder that apparently nobody actually knows what they're doing
Perfect for coffee, tea and staring into the middle distance while contemplating your life choices
Dear Fairy Godmother, what the fuckity fuck?
Some mugs hold coffee. Smug Mugs hold opinions.
A handmade ceramic mug for anyone who has reached the point in life where a little divine intervention would be extremely helpful, actually.
Hand-carved with “Dear Fairy Godmother, what the fuckity fuck?”, this Smug Mug features Whistle & Page’s signature raw clay text panel against a hand-glazed ceramic body. Handmade in Murrumbateman, NSW, it is part caffeine delivery system, part emergency correspondence to the universe.
Why it’s a must-have
Because sometimes you don't need advice. You don't need a five-step plan, a positive affirmation or someone telling you that everything happens for a reason. You need your Fairy Godmother to appear, take one look at the situation and say, “Oh. Fuckity fuck.”
For the person navigating plot twists, questionable decisions, unexpected bills, baffling behaviour, and the general nonsense of being alive. Pour the coffee. Take a breath. Perhaps your magical assistance is simply running late.
Features
Approx. 370ml
Approx. 8.5cm (H) × 9.5cm (W)
Hand-carved phrase
Signature raw clay text panel
Hand-glazed ceramic body
Handmade in Murrumbateman, NSW
Individually finished and sanded on the base
Benefits
An excellent vessel for coffee, tea and existential disbelief
A very relatable gift for someone currently dealing with a lot
Handmade character with considerably more personality than ordinary crockery
A daily reminder that sometimes swearing is a perfectly reasonable response to the plot
An excellent conversation starter, particularly if someone has the audacity to ask what happened
Minding my small business.
Some mugs hold coffee. Smug Mugs hold opinions.
A handmade ceramic mug for anyone who has discovered that not every conversation requires their participation, not every opinion requires a response and, frankly, some business is best left firmly outside their jurisdiction.
Hand-carved with “Minding my small business!”, this Smug Mug features Whistle & Page's signature raw clay text panel against a hand-glazed ceramic body. Handmade in Murrumbateman, NSW, it is a practical little reminder to drink your coffee and stay gloriously in your own lane.
Why it’s a must-have
Because peace is sometimes found in simply deciding that something is not your problem.
For anyone who has enough on their own plate without taking on everyone else's. The person who has mastered the art of hearing gossip and choosing absolutely nothing as their contribution. The one who would like to drink coffee, get on with the day and let everyone else manage their own circus.
No judgement. No unsolicited advice. No involvement. Just vibes and caffeine.
Features
Approx. 315ml
Approx. 7.5cm (H) × 8.5cm (W)
Hand-carved phrase
Signature raw clay text panel
Hand-glazed ceramic body
Handmade in Murrumbateman, NSW
Individually finished and sanded on the base
Benefits
A daily reminder to stay in your lane
Generous enough for a proper cup of coffee or tea
Excellent gift for someone who has stopped explaining themselves
Handmade character with plenty of personality
Perfect for drinking your coffee while absolutely minding your own business
Minding my small business. Being a delight. Multitasking, basically.
Some mugs hold coffee. Smug Mugs hold opinions.
Meet two handmade ceramic Smug Mugs for people who know their worth, have a healthy appreciation for their own company and aren't about to apologise for having a personality.
One says “Minding my small business” for anyone who would love to be left alone to get on with things, but somehow keeps getting dragged into everyone else's business. The other declares “First of all, I'm a delight!!” for those who are, in fact, an absolute pleasure to be around, and would appreciate that being acknowledged before the meeting begins.
Hand-carved with their respective phrases, each Smug Mug features Whistle & Page’s signature raw clay text panel against a hand-glazed ceramic body. Handmade in Murrumbateman, NSW, they're full of character, just like their intended owners.
Why it’s a must-have
Because sometimes you really are minding your own business, and sometimes you are the business.
The “Minding my small business” mug is for the person trying to answer emails, drink their coffee and get through the day without becoming an unpaid counsellor, detective or department of public relations for everyone else's drama.
The “First of all, I'm a delight!!” mug is for the person who brings the fun, tells the truth, makes people laugh and would like the record to reflect that they are an absolute joy, actually.
Both are a little cheeky, a little smug and entirely unapologetic. Just like a good mug should be.
Features
Approx. 300-340mlcapacity
Approx. 6.5cm (H) × 9.5cm (W)
Hand-carved phrase
Signature raw clay text panel
Hand-glazed ceramic body
Handmade in Murrumbateman, NSW
Individually finished and sanded on the base
Available in two designs: Minding my small business and First of all, I'm a delight!!
Benefits
Generous capacity for a proper cup of tea or coffee
A funny, relatable gift for colleagues, friends and unapologetic personalities
Perfect for the small-business owner, boundary enthusiast or certified delight in your life
Handmade character you won't find in mass-produced mugs
An excellent conversation starter, should you choose to engage with the public
Success is my only option, because I like expensive shit!
Some mugs hold coffee. Smug Mugs hold opinions.
A handmade ceramic mug for the woman with expensive taste, ambitious plans and absolutely no interest in pretending otherwise.
Hand-carved with “Success is my only option, because I like expensive shit!”, this Smug Mug features Whistle & Page’s signature raw clay text panel against a hand-glazed ceramic body. Handmade in Murrumbateman, NSW, it brings a little ambition, a little audacity and just enough financial irresponsibility to your morning coffee.
Why it’s a must-have
Because apparently “I would like nice things” is not considered a sufficiently detailed business strategy.
For the woman building the business, chasing the dream, working the plan and mentally spending money she hasn't made yet.
It is not about needing a bigger house or a fancier car. Sometimes success simply means being able to buy the ridiculously beautiful thing without checking the bank account first.
Dream big. Work hard. Develop excellent taste.
Features
Approx. 400ml
Approx. 7.5cm (H) × 10.0cm (W)
Hand-carved phrase
Signature raw clay text panel
Hand-glazed ceramic body
Handmade in Murrumbateman, NSW
Individually finished and sanded on the base
Benefits
Generous enough for the coffee required to fund your ambitions
An excellent gift for the unapologetically ambitious
A daily reminder to back yourself and your big plans
Handmade character with considerably more personality than corporate crockery
Because apparently the expensive thing isn't going to buy itself
Thriving out of spite.
Some mugs hold coffee. Smug Mugs hold opinions.
A handmade ceramic mug for anyone who has ever been underestimated, written off, told they couldn't do it, or simply developed a powerful desire to prove a point.
Hand-carved with “Thriving out of spite!!”, this Smug Mug features Whistle & Page's signature raw clay text panel against a hand-glazed ceramic body. Handmade in Murrumbateman, NSW, it is part daily caffeine delivery system, part tiny act of rebellion.
Why it’s a must-have
Because sometimes personal growth is beautiful, healing and deeply meaningful. And sometimes you just want to succeed so spectacularly that a few people have to sit down.
For the person who turned doubt into fuel, criticism into motivation and “you can't” into a surprisingly effective to-do list.
Is spite the healthiest motivational strategy? Probably not. Is it occasionally incredibly effective? I won't tell your therapist.
Features
Approx. 315ml
Approx. 7.5cm (H) × 9.5cm (W)
Hand-carved phrase
Signature raw clay text panel
Hand-glazed ceramic body
Handmade in Murrumbateman, NSW
Individually finished and sanded on the base
Benefits
A daily reminder that you're doing rather well, actually
Generous enough for the caffeine required to fuel your comeback
An excellent gift for someone who has something to prove
Handmade character with plenty of attitude
Because thriving looks particularly good on people who were underestimated
Strong Female Lead.
Some mugs hold coffee. Smug Mugs hold opinions.
A handmade ceramic mug for women who have somehow become the main character, supporting cast, project manager, emotional support department and person who knows where everything is.
Hand-carved with “Strong Female Lead”, this Smug Mug features Whistle & Page’s signature raw clay text panel against a hand-glazed ceramic body. Handmade in Murrumbateman, NSW, it is equal parts useful, cheeky and declarative.
Why it’s a must-have
Because being the strong female lead is less about having everything together and more about continuing to show up when life has handed you a plot twist you absolutely did not approve.
For the women carrying the plans, solving the problems, making the decisions and occasionally wondering who appointed them to all of this.
Your coffee may not solve everything. But at least your mug knows who is in charge.
Features
Approx. 300ml
Approx. 7.5cm (H) × 9cm (W)
Hand-carved phrase
Signature raw clay text panel
Hand-glazed ceramic body
Handmade in Murrumbateman, NSW
Individually finished and sanded on the base
Benefits
A wonderful mug for your main-character beverage
A brilliant gift for a strong woman in your life
Handmade character you won't find in a mass-produced mug
An everyday reminder that you are allowed to take up space
Excellent crockery for women who are, frankly, doing a lot
Please be patient with me, I’m from the 1900s.
Some mugs hold coffee. Smug Mugs hold opinions.
A handmade ceramic mug for anyone whose childhood involved rewinding cassette tapes with a pencil, waiting for the internet to connect and actually knowing how to use a phone that stayed in one place.
Hand-carved with “Please be patient with me, I’m from the 1900s”, this Smug Mug features Whistle & Page’s signature raw clay text panel against a hand-glazed ceramic body. Handmade in Murrumbateman, NSW, and ready to join your increasingly modern life.
Why it’s a must-have
For those of us who remember when phones had cords, photographs had to be developed and “going online” involved making a noise that sounded like a tiny robot having a breakdown.
You may now have a smartphone that can translate languages, order groceries and tell you the weather on Mars, but some of us still need a minute to locate the QR code.
This mug gets it.
Features
Approx. 400ml
Approx. 8.0cm (H) × 9.5cm (W)
Hand-carved phrase
Signature raw clay text panel
Hand-glazed ceramic body
Handmade in Murrumbateman, NSW
Individually finished and sanded on the base
Benefits
Generous enough for a proper cup of tea or coffee
A little solidarity for surviving the digital age
An excellent gift for your favourite 1900s person
Handmade character you won't find in a mass-produced mug
Guaranteed to make at least one fellow 1900s survivor say, “Oh, I need that.”
For when your coffee needs a cuddle, too.
Some cups hold your coffee. Cuddle Cups hold your hands together and encourage you to sit down for five minutes.
A handmade ceramic cup with a softly rounded shape, a comfortable hand-built handle and a satin-white glaze all over. Designed to feel lovely to hold, the Cuddle Cup has that pleasing, rounded shape that practically begs to be wrapped in both hands, preferably while your tea is hot and nobody is asking you for anything. Simple, tactile and made for the everyday moments that deserve a little extra comfort.
Why it’s a must-have
Because sometimes you don't need a new morning routine, a motivational podcast or another person telling you to optimise your life. You need a decent cup of tea and five uninterrupted minutes.
The Cuddle Cup's rounded shape feels reassuring in your hands, while its comfortable handle makes it easy to settle in with your favourite hot drink. The satin-white glaze gives it a soft, understated finish that works beautifully with its sculptural form. It's the sort of cup you'll reach for on slow mornings, long afternoons and those evenings when everyone has finally stopped saying your name.
Features
Approx. 360ml
Approx. 7.0cm (H) × 8.5cm (W)
Softly rounded, cuddle-friendly shape
Comfortable, hand-built handle
Satin-white glaze all over
Handmade ceramic construction
Handmade in Murrumbateman, NSW
Individually shaped and finished, with unique variations
Benefits
Comfortable to hold while enjoying your favourite hot drink
Rounded shape designed to feel lovely in your hands
Satin-white finish suits a wide range of table settings
An everyday cup with warmth, character and handmade appeal
A thoughtful gift for anyone who deserves a little extra comfort
A little vessel for whatever the day calls for.
Generous, rounded, and made to be held, the Cosy Cup sits somewhere between a cup, a bowl, and your new favourite piece of crockery. Fill it with tea, coffee or hot chocolate, or give it a more substantial job: cereal, soup, porridge, yoghurt, dessert, snacks and all the other things that somehow taste better from handmade pottery.
Why it’s a must-have
The Cosy Cup is the hardworking one in the cupboard. Generous enough for breakfast, lunch, dessert or your afternoon cup of tea, but compact enough to feel like a personal serving rather than an entire catering operation. It is tactile, versatile and wonderfully satisfying to hold. Basically, if a bowl and a mug had a very sensible child, it would be this.
Features
Approx. 370–410ml
Approx. 9cm (H) × 9cm (W)
Handmade in Murrumbateman, NSW
Hand glazed
Individually finished + sanded bottom
Comfortable rounded form
Benefits
Versatile enough for drinks, cereal, soup, porridge, yoghurt, desserts and snacks
Generous everyday capacity without feeling oversized
Comfortable to hold with two hands
Handmade character means no two are exactly alike
Beautiful enough to make everyday food feel a little more special
One of those pieces you'll reach for far more often than you expected
A little drip. A lot of drama.
Some cups play it safe. The Drippy Cup lets the glaze do its own thing.
A handmade ceramic cup inspired by the cosy, handle-free shape of the Cosy Cup, finished in a semi-gloss bronze glaze that looks wonderfully different depending on the light. The glaze appears to drip down the outside, creating a sense of movement and giving each cup its own character. Catch it in the sunshine, and the bronze comes alive with changing tones and highlights. Basically, a cup with a better lighting game than most of us.
Why it’s a must-have
Because your morning coffee deserves a little personality, even when you haven't managed to find yours yet. The Drippy Cup's handle-free shape feels lovely in your hands, while the bronze glaze brings warmth, depth and a touch of the unexpected to your everyday brew. Its drippy finish gives it an organic, almost molten look, and the changing colour in sunlight means there's always something new to notice. Functional pottery, with absolutely no interest in being boring.
Features
Approx. 250ml capacity
Approx. 8.0cm (h) x 8.5cm (w)
Handmade, handle-free cup inspired by the Cosy Cup shape
Semi-gloss bronze glaze
Drip-like glaze effect down the exterior
Glaze appearance shifts with changing light, especially in sunshine
Handmade in Murrumbateman, NSW
Individually glazed, with natural variations in colour and finish
Benefits
Comfortable, handle-free shape for holding your favourite hot drink
Distinctive bronze finish that changes with the light
Each cup has its own unique glaze movement and character
Adds warmth and personality to your everyday coffee or tea
A thoughtful gift for coffee lovers and handmade pottery enthusiasts
A little vessel for whatever the day calls for.
Generous, rounded, and made to be held, the Cosy Cup sits somewhere between a cup, a bowl, and your new favourite piece of crockery. Fill it with tea, coffee or hot chocolate, or give it a more substantial job: cereal, soup, porridge, yoghurt, dessert, snacks and all the other things that somehow taste better from handmade pottery.
Why it’s a must-have
The Cosy Cup is the hardworking one in the cupboard. Generous enough for breakfast, lunch, dessert or your afternoon cup of tea, but compact enough to feel like a personal serving rather than an entire catering operation. It is tactile, versatile and wonderfully satisfying to hold. Basically, if a bowl and a mug had a very sensible child, it would be this.
Features
Approx. 420–600ml
Approx. 9cm (H) × 9cm (W)
Handmade in Murrumbateman, NSW
Hand glazed
Individually finished + sanded bottom
Comfortable rounded form
Benefits
Versatile enough for drinks, cereal, soup, porridge, yoghurt, desserts and snacks
Generous everyday capacity without feeling oversized
Comfortable to hold with two hands
Handmade character means no two are exactly alike
Beautiful enough to make everyday food feel a little more special
One of those pieces you'll reach for far more often than you expected
Small cup. Serious coffee.
A tiny handmade ceramic cup for espresso, short blacks, tasting pours and those mornings when you want the coffee to get straight to the point. Small enough to feel deliberately compact, substantial enough to feel like proper pottery rather than a miniature version of something else.
Why it’s a must-have
Because not every coffee needs a bathtub. Zippy Cups are affordable, useful, wonderfully giftable and exactly right for people whose caffeine philosophy is essentially less talking, more coffee.
Features
Approx. 150–190ml
Approx. 6.5cm (h) x 7.5cm (w)
Handmade in Murrumbateman, NSW
Hand glazed
Individually finished + sanded bottom
Designed for espresso, macchiato, babycino and short coffees
Benefits
Fits neatly in one hand
Small cup. BIG caffeine energy.
Makes an ordinary coffee feel a little more special
Excellent gift size
Dinner made of bits and pieces.
A labour-intensive handbuilt plate for the meal that consists of cheese, something crunchy, something sweet, yesterday's leftovers, three crackers and a vegetable you found while looking for the hummus.
Technically, dinner.
Features
Approx. 18cm diameter
Approx. 3–4cm deep
Handmade in Murrumbateman, NSW
Hand glazed
Individually shaped and finished with a sanded bottom
Divided sections
Benefits
Keeps your snacks separate without making dinner feel like a spreadsheet
Small. Hardworking. Slightly abrasive.
A handmade ceramic grater for garlic, ginger and citrus zest, ready to do the fiddly kitchen jobs without taking up half a drawer. Light in hand, sturdy on the bench and excellent at making a little ingredient go a long way. Basically, the overachiever of the kitchen, minus the LinkedIn profile.
Why it’s a must-have
Because life is too short for bland food and garlic that escapes halfway through grating. The Harvest Grater brings fresh flavour, a little handmade charm and some serious kitchen competence to your bench. It’s small, mighty and considerably better at getting things done than most of us before coffee.
Features
Approx. 10–12cm diameter
Approx. 1.5–2cm high
Handmade in Murrumbateman, NSW
Light in hand, sturdy on the bench
Textured grating surface for garlic, ginger and citrus zest
Individually finished with sanded bottoms
Benefits
Makes quick work of garlic, ginger and citrus zest
Adds fresh flavour without another bulky gadget
Small enough to store, lovely enough to display
Perfect for cooks who believe flavour is non-negotiable
A brilliant gift for food lovers and kitchen enthusiasts
A little fish. A little sass. Keep swimming.
Some trays hold your bits and pieces. Just Keep Swimming Trays remind you to keep going, even when you're barely keeping your head above water.
Handmade ceramic trays featuring fish carved into the clay using the sgraffito technique, then finished with a satiny white glaze. The carved details give each fish its own character, while the soft white finish keeps the design feeling fresh, simple and timeless. Made by hand in my Murrumbateman studio, NSW, every tray carries the marks of its making. A little functional art, with a fishy reminder that you're doing just fine.
Why it’s a must-have
Because some days you're gracefully gliding through life, and other days you're a fish wearing a very convincing smile while paddling furiously underneath.
The Just Keep Swimming Tray brings a little humour and handmade charm to everyday life. Use it to hold jewellery, keys, trinkets, loose change or those tiny things that seem to migrate around the house when nobody is looking. The carved fish and satiny white glaze make it as lovely to display as it is useful to have around.
A practical little tray with a message worth remembering: keep swimming, you're getting there.
Features
Approx. Large: 20.0cm (L) × 8.5cm (W), Medium: 13.0cm (L) × 7.5cm (W), Small: 12.0cm (L) × 6.0cm (W), Tiny: 10.0cm (L) × 6.0cm (W)
Handmade ceramic tray
Fish designs carved using the sgraffito technique
Satiny white glazed finish
Handmade in Murrumbateman, NSW
Individually finished, with unique variations
Benefits
Ideal for jewellery, keys, trinkets and everyday odds and ends
Combines practical use with decorative, handmade character
A thoughtful gift for fish lovers and anyone navigating life's currents
Each piece carries its own marks of the making
A little everyday reminder that you're allowed to keep going at your own pace
A little piece of the Valley, made for everyday.
Some boards serve a purpose. The Valley Board tells a story.
Inspired by the beautiful scenery of Yass Valley, each handmade ceramic board features landscapes carved into the clay using the sgraffito technique, finished with a satiny white glaze. Made in my Murrumbateman studio, it celebrates the region we call home, while doubling as a serving board or decorative tray.
Why it’s a must-have
A little piece of Yass Valley to enjoy every day, not just admire on a shelf. Use it to serve cheese, fruit and treats, or as a tray for jewellery, keys and treasured odds and ends. With its carved scenery and handmade character, it’s a practical piece with a sense of place, and a thoughtful keepsake for anyone who loves this beautiful region.
Features
Approx. 27.0cm (L) × 17.0cm (W)
Handmade ceramic serving board or tray
Yass Valley scenery carved using the sgraffito technique
Satiny white glaze with contrasting carved details
Handmade in Murrumbateman, NSW
Each piece is individually finished and unique
Benefits
Versatile for serving, styling or everyday storage
Celebrates the landscapes of the Yass Valley
A meaningful gift or keepsake for locals and visitors
A little festive detail, with plenty of everyday charm.
Some trays are made for a season. This one is made for the little moments worth celebrating.
Handmade in my Murrumbateman studio, this ceramic board features delicate Christmas bell imprints that add a touch of charm without saving it for December alone. Use it as a serving board for little treats, a platter for sharing, or a decorative tray for jewellery, keys and everyday treasures. Each piece is individually made, with its own handmade character and details.
Why it’s a must-have
A little detail can make an everyday object feel special. The bell impressions bring a hint of nostalgia and celebration, while the versatile shape makes this board just as lovely for everyday use as it is for festive gatherings. Serve something delicious, style a favourite corner of your home or give those little odds and ends somewhere pretty to live.
Features
Approx. 23.0cm (L) × 16.5cm (W)
Handmade ceramic serving board or tray
Decorative Christmas bell imprints
Individually shaped and finished in Murrumbateman, NSW
Each piece has its own handmade character and variations
Benefits
Versatile for serving, styling and everyday organisation
Adds a decorative touch without being limited to Christmas
Lovely for entertaining, gifting or keeping little treasures together
A thoughtful handmade gift for someone who appreciates the details
A little speckled. A little sculptural. Entirely its own thing.
Some bowls are all about capacity. This one has character to spare.
A handmade ceramic bowl glazed in Snow White, a glossy, soft white scattered with tiny pink specks. The glaze coats the inside and halfway down the exterior, meeting the raw clay in a lovely contrast of smooth and tactile. Finished with decorative chattering and a substantial footring, it has texture, presence and a rather pleasing sense of importance for something holding just 220ml. Small bowl. Strong opinions.
Why it’s a must-have
Because not everything needs to come in a family-sized portion. At approximately 220ml, this little bowl is just right for a handful of snacks, a small dessert, dipping sauces, condiments or those bits and pieces that somehow make a meal feel complete. Snow White brings a soft, glossy finish, while the chattering adds movement and the raw clay keeps things beautifully tactile. It may be small, but it certainly hasn't come to the table without making an impression.
Features
Approx. 220ml capacity
Approx. 3.5cm (H) × 11.5cm (W)
Glossy Snow White glaze with tiny pink specks
Glazed interior and halfway down the exterior
Raw clay lower exterior
Decorative chattering texture
Substantial footring for a sculptural finish
Handmade in Murrumbateman, NSW
Individually made, with variations that make each piece unique
Benefits
Perfect for snacks, dips, condiments and small desserts
Combines glossy glaze, raw clay and tactile surface detail
A substantial footring gives it a distinctive, sculptural presence
Small enough for everyday use, distinctive enough to stand out
A thoughtful gift for anyone who appreciates handmade ceramics with personality
Local Pottery Experiences
An end-of-year crafty adventure at Blackwattle Alpaca Farm
Worth taking a mental-health day for.
Friday 11 December 2026 | 10am–1pm
Blackwattle Alpaca Farm, Murrumbateman
$15 per person
December has a way of arriving with forty-seven things to do, presents to buy and unfinished projects staring at you from around the house.
So, instead of adding another thing to the list, The Paper Trail Club is going on an adventure.
For our final gathering of 2026, we’re leaving our usual café table behind and heading to Blackwattle Alpaca Farm for a morning of handmade treasures, paper, creativity, good company and, naturally, alpacas.
Think of it as a tiny handmade farmers’ market, except nothing is for sale.
No price tags. No Christmas shopping. No competing.
Just making, sharing, swapping and spending a few hours doing something you enjoy.
The Handmade Exchange
The idea is simple.
If you’d like to take part, bring 10 small handmade things you have made yourself.
Cards, bookmarks, pottery, embroidery, zines, decorations, handmade stationery, tiny paintings, paper creations or whatever you love making.
They do not need to be expensive or perfect. Gloriously wonky is welcome.
Please don’t spend a fortune making ten things. This is not the Handmade Olympics. Something made at your kitchen table while watching Gilmore Girls absolutely counts.
When you arrive, your 10 handmade things become part of the exchange, and you receive 10 tokens.
Then you can browse, admire and choose 10 treasures from 10 different makers to take home.
No buying. No selling. No pricing. No competing.
Just something you made finding its way into someone else’s hands, while something made by another creative person comes home with you.
I think that is a rather lovely way to finish the year.
Not making 10 things? Come anyway.
The Handmade Exchange is completely optional.
You can spend the morning junk journaling, writing letters, making postcards, working on an unfinished project, swapping stationery, exploring the farm, meeting other creative women or simply enjoying a coffee with people who understand why paper quality is a perfectly reasonable topic of conversation.
You do not need to make anything, finish anything or be particularly crafty.
You can arrive with an empty tote bag and leave with a full one.
What will we be doing?
There will be creative tables to dip in and out of throughout the morning.
Junk journaling
Paper treasures, vintage scraps, old book pages, envelopes, tickets, maps and stickers will be waiting for you.
Make a page, add to your journal or simply enjoy sorting through paper like the stationery-loving magpie you are.
Letters & postcards
Write to someone you love, someone you miss, your future self or your Postmaster — that’s me.
There’ll be beautiful paper, postcards, pens and a postbox if you’d like to send something on its way.
The unfinished project table
Bring the project you’ve been meaning to return to.
The knitting. The embroidery. The journal. The thing you started months ago and have carried from room to room ever since.
You might finish it. You might make progress. You might decide you hate it.
All useful discoveries.
Stationery & craft swap
Have paper, stickers, washi tape, postcards or craft supplies you no longer need?
Bring a few along for our community swap.
Someone else’s abandoned craft phase may be exactly what your current creative obsession needs.
The Paper Trail time capsule
Before you leave, add a little note to our end-of-year Paper Trail time capsule.
Something you’re proud of. Something you want to remember about 2026. Something you learned. Something you hope for next year.
Or simply something that makes you laugh.
And, of course, there’ll be time to explore Blackwattle Alpaca Farm and visit the alpacas.
What’s included?
Your $15 ticket includes:
Event coordination
Light refreshments
Paper Trail Club creative activities and tables
Participation in The Handmade Exchange, if you choose
A morning at Blackwattle Alpaca Farm with a lovely group of creative women
Food and drinks purchased separately from the Blackwattle café are not included.
What should I bring?
Bring:
Yourself
Something to write with
A tote bag for your treasures
A creative project, if you have one
Taking part in the Handmade Exchange? Bring 10 small handmade things you have made yourself.
They can be identical, completely different or somewhere in between. Just make sure they’re finished, easy to carry and something you’d genuinely be happy to give another person.
You’re also welcome to bring a few things for the stationery and craft swap, but this is completely optional.
Most importantly, there is no pressure.
You do not have to make anything. You do not have to bring ten things. You do not have to finish your project. You do not have to know anyone when you arrive. And you absolutely do not have to explain why you own six identical notebooks.
The Paper Trail Club is about making room for the things we love, especially the things that get pushed down the list when life gets busy.
So let’s finish the year with our hands busy, our minds somewhere else for a while, new treasures in our bags and plenty of reasons to laugh.
The Handmade Exchange
Friday 11 December 2026 | 10am–1pm
Blackwattle Alpaca Farm, Murrumbateman
$15 per person
Come and make a little magic with us.
A support group for women emotionally attached to stationery & those with 29+ projects on the go.
The Paper Trail Club is a very casual monthly creative catch-up for people who own too many notebooks, keep paper scraps “just in case”, and feel spiritually connected to Officeworks (or Morning Glory back in the day).
Think analogue hobbies that involve journals, knitting, sketchbooks, fountain pens, collage scraps, sewing projects, postcards, stickers, watercolours, zines and the notebook you bought during a deeply convincing “this will fix my life” moment. Bring whatever creative thing currently has your attention — or come for the coffee, good company and the rare opportunity to sit at a café table without someone asking where their left shoe is.
There’ll be stationery swaps, postcard exchanges, notebook show-and-tells, thrifted craft treasures, handmade zine ideas, seasonal themes, fountain pen testing and very strong “I started this in 2021 and today might finally be its moment” energy.
No classes. No pressure. No need to be artistic, productive or aesthetically organised. Just a table full of creative people making things, chatting, sharing supplies and enabling each other’s completely unnecessary stationery purchases like the emotionally supportive little community we are.
Reserve Your Spot
Spaces are limited (mostly because cafés contain a surprisingly finite number of chairs once everyone arrives with tote bags full of notebooks and fun craft supplies). If you’d like to come, please reserve your spot early so I can plan the table sizes, future gatherings, surprise little member gifts and the general level of creative chaos accordingly. Basically: the sooner I know numbers, the sooner I can start plotting next month’s stationery-fuelled nonsense.
Our Gatherings
First Friday of each month, generally at a local venue in Yass Valley, NSW (mostly Murrumbateman café or pub). We will meet between 10 am and 12 pm. Come solo. Bring a friend. Bring your stationery. Mostly just come, so it’s not me sitting alone by the window with a coffee, seventeen glue sticks and a journal full of half-finished thoughts looking like I’m either writing a memoir or avoiding eye contact.
What To Bring
Bring whatever creative thing currently has your attention or your latest creative hyperfixation. No supplies? Come anyway. There’ll be a communal stash of paper scraps, stickers, crafty bits and assorted creative chaos to rummage through like tiny stationery goblins at a craft market.
Membership Tokens & Gifts
After attending three gatherings, members become officially eligible for a handmade ceramic membership token — a tiny little keepsake for your handbag, keys, journal pouch or pencil case. Think of it like an old-school pen pal club, except instead of sending letters across the country, we gather around a café table with coffee, paper scraps and at least one person saying, “wait… let me show you this notebook.” Membership tokens are handmade in small batches, and each one is slightly different, because frankly, perfection is exhausting, and wonky things have more personality anyway.
From time to time, there may also be surprise member gifts tucked into gatherings — books, postcards, recipe cards, sourdough starters, garden and seasonal treasures, paper gems, stationery bits, little handmade objects or other tiny joys that feel like finding unexpected mail in your letterbox.
Club Rules & General Behaviour Expectations
1. No making people feel weird for liking things.
If someone wants to spend twenty minutes explaining fountain pen ink, showing you their sticker organisation system or talking about why this particular notebook writes differently, that is not only allowed, it is deeply encouraged.
2. This is a women’s gathering.
The Paper Trail Club is a space created for women to connect, create and build community. If you identify as female, pull up a chair. We’d love to have you.
3. This is not a productivity competition.
You do not need to finish anything. Most of us are carrying at least seven unfinished projects and one deeply ambitious idea we started after watching a single YouTube video at 11 pm.
4. Absolutely no mean girl energy.
We are here to encourage each other’s hobbies, celebrate tiny creative wins and admire people’s weird little collections — not silently judge someone for using children’s scissors and a glue stick held together with tape.
5. Please ask before touching someone’s supplies.
Some people’s scissors have survived three house moves, two creative identity crises and a brief scrapbook phase in 2008. Respect the emotional attachment.
6. You are allowed just to exist here.
You do not need to be extroverted, artistic, productive, witty or “good” at crafts to belong at the table. Turning up is enough.
7. Enabling unnecessary stationery purchases is part of the club culture.
If someone buys another notebook despite already owning enough journals to document several lifetimes, we support them wholeheartedly and ask to see the paper quality immediately.
8. Café staff are our heroes.
Please buy a drink or snack if you can and be lovely to the people keeping us caffeinated, emotionally stable and supplied with tiny little café spoons.
9. Creative chaos is welcome. Actual chaos is not.
Paper scraps on the table? Beautiful. Glitter permanently fused into the café floor? Less beautiful. Please tidy your crafty chaos before leaving so we can all be invited back next month.
10. You are not required to network.
This is not LinkedIn with scissors. You do not need a business, a side hustle, an Etsy store or a five-year plan for your knitting hobby. Existing as a creative person is enough.
11. Nobody is allowed to apologise for their project.
Not for the messiness, the unfinished edges, the abandoned sketchbook, the wonky stitches or the fact you haven’t touched it since last winter. We are extremely pro-making things badly, slowly and for no reason other than it makes life nicer.
The Pocket Potter Kit
A screen-free clay-making experience from Creative Gunning & Whistle & Page
The Pocket Potter Kit is a thoughtfully designed, hands-on clay experience created especially for the Creative Gunning community.
Developed by Whistle & Page, the kit brings the joy of working with clay into homes, classrooms, homeschooling spaces and family life, giving children the opportunity to make, experiment and create with their hands.
Through Creative Gunning, these kits are being offered at a heavily subsidised price of $30 per kit, making a genuine pottery experience accessible to more local children and families.
This is not about producing a perfect pot or following a set of rules to create an identical finished piece. It is about getting your hands into clay, trying something new, figuring things out as you go and discovering what you can make.
A little clay, a few tools and some time together can go a surprisingly long way.
Who is The Pocket Potter Kit for?
The Pocket Potter Kit has been designed primarily for children and families and is suitable for:
Children approximately 5+ years old (younger children may need additional adult support)
Families wanting a screen-free creative activity
Homeschooling families looking for hands-on Creative Arts learning
Children who enjoy tactile and sensory experiences
Parents, carers and grandparents wanting to make alongside children
Families looking for an activity that encourages creativity, concentration and conversation
Children who enjoy experimenting rather than being told there is only one right way to do something
The kit can be used as part of homeschooling, during school holidays, on a rainy afternoon or simply when everyone needs something to do that doesn't involve another screen.
What is inside the kit?
Each Pocket Potter Kit contains everything needed to get started with your clay projects.
Each kit includes:
1kg of mid-fire stoneware clay
A beginner clay tool set with essential tools for shaping, carving and decorating
A reusable fabric work surface
A reusable thick plastic to protect your clay and clay creations from drying out
A simple rolling pin that’s easy to use
Step-by-step project instruction cards
Optional QR codes linking to guided video demonstrations
The printed instructions mean the kit can be completed entirely screen-free.
The videos are there if you would like some extra guidance, but you don't need to watch anything to enjoy the experience.
Stoneware clay
The Pocket Potter Kit uses stoneware clay, the same type of kiln-fired clay used in professional pottery studios.
Unlike air-dry clay, stoneware needs to be fired in a kiln to become a durable ceramic piece. This gives children the opportunity to experience real pottery from beginning to end: making something from clay, seeing it transform through firing and eventually having a finished ceramic object to keep.
The clay is suitable for handbuilding projects and encourages children to explore different ways of shaping, joining, carving and decorating.
For simpler, less fragile decorative pieces, there is also the option to let the clay dry naturally and decorate it with acrylic paint once completely dry. These pieces are intended for decorative use only and will remain more fragile than kiln-fired ceramics.
If you would like your creations to become durable ceramic pieces, they will need to go through the kiln-firing process. Because this is real pottery clay, there is an additional firing process after making.
What happens after you've made your pieces?
Once your creations are finished, they need to dry completely before they can be fired.
Stoneware pieces are generally fired twice:
1. Bisque firing
The first firing hardens the clay and prepares it for glazing.
2. Glaze firing
A second firing melts the glaze onto the surface and transforms the piece into finished ceramic.
Firing is not included in the $30 Pocket Potter Kit.
Families who would like their pieces fired will need to arrange kiln firing separately. Local pottery studios may offer community firing services, although pricing, kiln availability and acceptance of outside work vary between studios.
Please do not put stoneware pieces in a domestic oven. Pottery clay requires a specialist kiln capable of reaching the appropriate firing temperature.
Information about local firing options and any Creative Gunning-specific firing opportunities will be provided separately where available.
How it supports creative learning
The Pocket Potter Kit is particularly well suited to hands-on learning because clay naturally encourages children to learn by doing.
Making with clay can support:
Fine motor skills and hand-eye coordination
Creative problem-solving
Concentration and sustained attention
Spatial awareness
Confidence through experimentation
Sensory exploration
Patience and persistence
Open-ended creative thinking
Following instructions while still making independent choices
Clay doesn't care whether you think you're artistic. You can start with an idea, change your mind halfway through, accidentally make something completely different and still end up with something worth keeping.
How it works
Choose a project from your instruction cards, prepare your work surface and begin.
You can follow the suggested steps, use the tools to experiment with texture and shape, or let your child take the project in an entirely different direction.
There is no expectation that everyone's finished piece will look the same.
The instructions provide a starting point, not a test.
The QR codes provide optional video guidance for families who would like to see the techniques demonstrated, but the kit has been intentionally designed so that children can make without needing a screen.
A little note about the making process
Clay is wonderfully unpredictable. It can crack. It can warp. Something that looked like a brilliant idea at the beginning might turn into something completely different by the end. That is part of learning to work with clay. Children are encouraged to notice what happens, make adjustments and keep experimenting rather than worrying about getting everything right the first time. The aim isn't perfection. The aim is to make something that didn't exist before.
Why Creative Gunning and Whistle & Page created this opportunity
Creative Gunning exists to create opportunities for people in the community to experience creativity, connection and new ideas close to home. The Pocket Potter Kit extends that idea beyond a workshop or a single afternoon. It gives children the chance to take creativity home with them and continue making in their own time, with their family, carers or friends.
For Whistle & Page, this is also about making pottery feel accessible.
Real clay can seem like something that belongs in a specialist studio, but children don't need expensive equipment or years of experience to begin. They need some clay, a few simple tools, encouragement and permission to have a go.
With Creative Gunning's support, these kits are offered at $30 per pack, well below their usual value, so more local children and families can experience working with real stoneware clay.
$30 per Pocket Potter Kit
One kit. One kilogram of stoneware clay. Plenty of possibilities.
Made by Whistle & Page.
Supported by Creative Gunning.
Created for curious hands.
Two hours. No notifications. No multitasking. Just you, your hands, and a lump of clay that doesn’t care about your to-do list.
Welcome to a beginner-friendly pottery workshop at Whistle & Page—designed for the clay-curious, the creatively restless, and anyone who’s ever thought, surely I need something that isn’t another screen.
Inside the studio (a bit TARDIS-like, if I’m honest), time slows down in the most generous way. You’ll be guided step-by-step through simple, satisfying handbuilding techniques to create your own functional ceramic piece—think cups, bowls, or something uniquely you. No experience needed, no perfection required.
This is your permission slip to make something imperfect and beautiful… and to realise you’re actually quite good at this.
Your piece will stay behind for its glow-up—carefully glazed and kiln-fired—before making its way back to you a few weeks later, ready to become part of your daily rituals. Morning coffee just tastes better from a cup you made yourself. It’s science. (Probably.)
We’ll share light refreshments, a few laughs, and those “oh wow, I didn’t know I needed this” moments. You’ll leave a little lighter, a little prouder, and with clay under your nails in the best possible way.
Perfect for:
Beginner pottery classes, creative workshops, mindful activities, unique things to do in Murrumbateman (25 minutes from Canberra), and anyone craving a hands-on reset.
Spots are intentionally small.
Two hours a week. No notifications. No rushing through. No “I’ll just quickly check this one thing.”
Just you, your hands, and a lump of clay that slowly starts to feel like second nature.
Welcome to The Pottery Low-Down—a five-week pottery course at Whistle & Page designed for the clay-curious, the creatively restless, and anyone ready for something more than a one-off moment.
Inside the studio (still very much TARDIS-like), something shifts. By week two, your shoulders drop a little quicker. By week three, your hands begin to remember what to do. By week four, you stop asking, “Am I doing this right?”—and start trusting your instincts instead.
You’ll be guided each week through simple, satisfying handbuilding techniques, building your skills gradually and gently—no overwhelm, no perfection required.
Your journey might look like this:
Week 1 — Getting comfortable (with the clay, the tools, and yourself)
An introduction to studio rhythms and pinch pots—the simplest, most grounding place to begin
Week 2 — Slowing down with slabs
Rolling, shaping, and beginning to see form take shape
Week 3 — Coiling & building upward
Structure, strength, and pieces that start to feel a little more ambitious
Week 4 — Decorating & storytelling
Sgraffito, slip trailing, underglaze—this is where your personality really comes through
Week 5 — Finishing touches
Refining, glazing, and bringing everything together before their final firing
Along the way, you’ll create a collection of functional, one-of-a-kind pieces—cups, bowls, plates, and forms that quietly find their place in your everyday life.
Your work will stay behind for its glow-up—carefully glazed and kiln-fired—before making its way back to you a few weeks later, ready to be used, held, and admired in all its imperfect beauty.
We’ll share light refreshments, easy conversation, and those small but significant moments where you realise…oh, I really needed this.
This isn’t just about learning pottery.
It’s about having somewhere to go each week that isn’t asking anything from you—except to show up.
Perfect for:
Beginner pottery courses, ongoing creative practice, mindful weekly rituals, and anyone craving a slower, more hands-on rhythm in Murrumbateman (just outside Canberra).
Spots are intentionally small.
Wheel-Throwing at Whistle & Page | Murrumbateman
Date Night, One-Off Experiences & 5-Week Courses | Max 2 participants
Clay on your hands. A spinning wheel. Someone laughing (probably you). This is wheel-throwing, but not the serious, silent kind. This is the version where things wobble, collapse, surprise you—and occasionally turn into something you’re wildly proud of.
Held in my Murrumbateman studio between Canberra and Yass, these sessions are designed for beginners, couples, and anyone who wants to try something hands-on, a little messy, and genuinely fun. You don’t need experience. You don’t even need coordination. You just need to show up.
One-Off Wheel-Throwing Experience
$180 per person or $300 per couple | 2.5 hours
Two and a half hours. A wheel each. No idea what you’re doing (perfect). This is the “let’s try something different” version of pottery. Ideal for date night, friend dates, or a solo dip-your-toes-in moment.
You’ll be guided step-by-step through the basics—centring, pulling, shaping—while the clay does its best to keep you humble. Expect a mix of chaos, laughter, and the sweet satisfaction of getting something almost right.
Some pieces will wobble. Some won’t make it. One might surprise you. Whatever happens, it will be yours. Your favourite pieces are kept for glazing and kiln firing and returned a few weeks later—small, slightly wonky reminders of a very good time.
Light refreshments included. Aprons recommended. Expectations optional.
5-Week Wheel-Throwing Course
$725 per person | 5 weeks | 2 hours weekly
Same wheel. Different story. This is for when one session isn’t enough. Over five weeks, you move past the novelty and into something deeper. The chaos softens. Your hands start to recognise what to do. The clay still pushes back—but now you know how to respond.
With only two people in each course, there’s space to repeat, adjust, and actually learn what’s happening—not just get lucky once. You’ll build skills week by week: centring, pulling consistent forms, refining, trimming, and finishing pieces that begin to feel intentional. Not everything will work. That’s part of it. But what does will feel earned. Your final pieces are glazed and kiln-fired, then returned to you to use, gift, or admire with your morning coffee.
Whether you’re here for a playful night out or something more steady and skill-building, the wheel has a way of meeting you where you are.
Designed for: pottery date nights near Canberra, couples experiences in the Yass region, beginner wheel-throwing classes, creative workshops in Murrumbateman, and hands-on things to do just outside Canberra.
The Maker’s Table
A private pottery workshop for gatherings, celebrations and team building
Two hours. A shared table. No notifications.
Just hands in clay, conversation unfolding, and something taking shape between you.
The Maker’s Table is a private pottery workshop designed for connection—ideal for team building, corporate events, hens parties, birthdays, kitchen teas, and end-of-year celebrations.
Held in Murrumbateman—perfectly positioned between Canberra and Yass—it’s an easy, scenic drive that already begins to feel like stepping away from the day-to-day.
Inside the Whistle & Page studio (a little TARDIS-like, in the best way), time softens. People settle in. And before long, everyone is completely absorbed in what they’re making.
No experience needed. No pressure to get it “right.”
Just a thoughtfully guided, hands-on experience—co-designed with you.
A Private Workshop, Designed Around You
Every Maker’s Table experience is shaped with intention.
Whether you’re planning a corporate team building session, a hens celebration, or a meaningful gathering with friends, we’ll create something that suits your group, your pace, and your reason for coming together.
Your session can be:
Open-ended (guests follow their own ideas)
Lightly guided (a shared starting point with flexibility)
Structured (a set pottery project created together)
Wherever we land, each guest is supported step-by-step to create something they’re genuinely proud of.
What to Expect
A two-hour guided handbuilding pottery workshop where guests create functional ceramic pieces—cups, bowls, platters, or something uniquely their own.
It’s creative, grounding, and very connective—making it a natural fit for:
Corporate team building and workplace wellbeing
Hens parties and kitchen teas
Birthday celebrations and group gatherings
Creative experiences and unique things to do near Canberra and Yass
Your pieces will stay behind for their glow-up—carefully glazed and kiln-fired—before being returned 6-8 weeks later, ready to be used, gifted, or kept.
Location Options
Hosted in the Whistle & Page studio in Murrumbateman
Or I can travel to a public venue of your choice (such as wineries, halls, or event spaces)
Travel fees apply for off-site workshops.
Investment
$180 per person
Includes:
2-hour private pottery workshop
All materials
Glazing and kiln firing
Light refreshments (studio sessions only)
$160 per person
Includes:
2-hour private pottery workshop
All materials
Glazing and kiln firing
(No refreshments)
Group size:
Minimum 8 | Maximum 24
Why a Pottery Workshop?
Because it offers something most events don’t.
A pottery workshop is a hands-on team-building activity that encourages:
Creativity and problem-solving
Conversation and collaboration
A slower, more mindful pace
And everyone leaves with something tangible—a handmade ceramic piece that becomes part of their everyday life.
The Part People Don’t Expect
It’s not just about what gets made.
It’s the slowing down.
The conversations that unfold.
The way people leave a little lighter than when they arrived.
And yes—morning coffee does taste better from a cup you made yourself. Probably science.
Book The Maker’s Table
Looking for a private pottery workshop near Canberra or Yass?
Whether you’re planning a team building session, hens party, birthday, or end-of-year celebration, The Maker’s Table offers a meaningful, hands-on experience your guests will remember.
Clay Together
School pottery workshops and kids’ birthday parties across Canberra and Yass
Clay Together is a hands-on pottery workshop program for K–12 students and children’s group experiences, designed to support creativity, focus, and confidence through guided clay handbuilding.
Delivered in schools, at public venues, or at the Whistle & Page studio in Murrumbateman, Clay Together offers meaningful Creative Arts experiences for students, teachers, and families across the Canberra and Yass region.
Conveniently located between Canberra and Yass, it is easily accessible for school incursions, regional programs, and children’s birthday celebrations.
What is Clay Together?
Clay Together is a guided pottery workshop experience where students and children learn to work with clay using accessible handbuilding techniques.
It is designed for:
School Creative Arts programs (K–12)
School incursions and enrichment workshops
Kids’ birthday parties and creative celebrations
Holiday programs and group activities
Each session encourages participants to slow down, work with their hands, and create something tangible while developing fine motor skills, creative thinking, and confidence through making.
Workshop Structure
All Clay Together workshops are designed to be flexible while maintaining a clear and supportive structure.
Each session includes:
1.5 hours of guided handbuilding time
Optional additional 30 minutes available if required for larger groups or extended making
Minimum 8 participants
Maximum 24 participants
This structure ensures each participant receives individual guidance while still benefiting from a shared group experience.
Pricing
Clay Together is priced per student per session across all workshop types.
School Programs, One-Off Workshops & Birthday Parties
$95 per student, per session
This includes:
1.5 hours of guided clay making
Optional additional 30 minutes if required
All materials and tools
Glazing and kiln firing of all completed work
Group size:
Minimum 8 participants
Maximum 24 participants
Travel costs apply for in-school or off-site delivery, depending on location.
For Schools and Teachers
Creative Arts Pottery Workshops (K–12)
Clay Together provides curriculum-aligned Creative Arts workshops designed to support learning outcomes across primary and secondary school levels.
These workshops are ideal for:
School incursions
Creative Arts enrichment programs
Visual Arts learning experiences
End-of-term or special school events
Hands-on K–12 learning activities
Students are guided through handbuilding techniques, including pinch pots, slab building, coiling, and surface decoration, such as texture and carving. All work is finished with glazing and kiln firing.
4-Week School Program (In-School)
The 4-week Clay Together program is a structured Creative Arts sequence designed to build skills progressively over time.
Students develop confidence and technique through:
Introduction to clay and pinch pot foundations
Slab building for functional forms
Coiling for structure and sculptural work
Decorative surface techniques, including carving and underglaze
By the end of the program, students have created a collection of ceramic works that reflect both technical learning and personal expression. All pieces are glazed, kiln-fired, and returned to the school.
One-Off School Workshop
The one-off Clay Together workshop is ideal for school incursions, Creative Arts days, and enrichment programs where a single, complete pottery experience is required.
Students are guided step-by-step through a hands-on clay project designed to be achievable, engaging, and adaptable across year levels.
All pieces are taken back to the studio for glazing and kiln firing and returned to the school within a few weeks.
For Parents and Families
Kids Birthday Party Pottery Workshops
Clay Together offers creative pottery birthday parties for children as a hands-on alternative to traditional party entertainment.
Instead of structured games or passive activities, children create their own ceramic pieces in a guided, relaxed environment where creativity and play come together naturally.
This is ideal for parents searching for:
Kids’ birthday party ideas near Canberra
Birthday party activities in Yass and the surrounding regions
Creative children’s party experiences in Murrumbateman
Hands-on birthday party options for children
Each session includes guided making time where children create a ceramic piece to take home, with all work later glazed and kiln-fired.
Multi-Generational Clay Experiences
Clay Together can also be experienced as a shared workshop where parents, carers, or responsible adults join children in the creative process.
In these sessions, adults and children work together on the same clay project, creating a shared experience rather than separate outcomes. There is no additional charge for adults participating in this way.
This format is especially meaningful for birthdays, family gatherings, and school community events.
In school settings, this can include lunchtime or scheduled sessions where families meet on-site and create side-by-side for approximately one hour.
These experiences support:
Stronger family and school connections
Screen-free shared interaction
Communication through hands-on making
Memory-building through shared creativity
Participation and Group Guidelines
Clay Together is designed to be inclusive, supportive, and accessible for all participants.
Children are expected to participate in the workshop once it begins, as each session is structured as a guided group experience.
If a participant chooses not to engage after the session has started, refunds are not available due to materials, preparation, and facilitation being allocated per booking.
In rare cases where behaviour significantly disrupts the group experience, a participant may be asked to step aside from the session so the rest of the group can continue in a calm and supportive environment. This is always managed respectfully.
For all workshops involving children, a responsible adult or supervising staff member is required to be present.
Why Clay Together?
Clay-based learning supports children’s development in meaningful ways, including:
Fine motor skill development
Focus and sustained attention
Creative thinking and problem-solving
Sensory engagement and tactile learning
Confidence through hands-on achievement
It also offers something increasingly rare: time to slow down and create something with intention.
Location and Delivery
Clay Together is based in Murrumbateman and delivers workshops across the Canberra and Yass region.
Workshops are available:
In schools across NSW and the ACT
At public venues for birthday parties and group events
At the Whistle & Page studio in Murrumbateman
Murrumbateman is centrally located between Canberra and Yass, making it easily accessible for both regional and city-based groups.
Bookings and Enquiries
Clay Together workshops are tailored to each school, teacher, or family group.
Enquiries are welcome for:
School Creative Arts programs and incursions
K–12 pottery workshops across Canberra and Yass
Children’s birthday parties and group celebrations
Multi-generational creative experiences
The Pocket Potter Kit
A screen-free clay-making kit for children, families, homeschooling, learning, and slow creative time together
The Pocket Potter Kit is a thoughtfully designed clay experience that brings hands-on making into the home. It is created for children, families, homeschooling communities, and adults who want a slower, more tactile way to spend time together away from screens.
It sits within my Whistle & Page practice in Murrumbateman, between Canberra and Yass, where I work with clay in both teaching and studio practice, and spend a lot of time thinking about how people reconnect through making.
This kit is not about perfection or outcomes. It is about process, attention, and the simple act of working with your hands.
Who The Pocket Potter Kit is for
The Pocket Potter Kit is designed for:
Homeschooling families looking for hands-on Creative Arts learning
Parents wanting screen-free activities for children at home
Children who learn best through tactile, sensory experiences
Families wanting shared creative time without digital distraction
Couples looking for a slow, creative date night at home
Friends wanting a different kind of shared activity
Carers and grandparents creating meaningful time together
Children aged approximately 5+ (younger children may need support)
It works equally well as structured home learning, weekend family making, or a quiet evening where conversation and creativity sit side by side.
What is inside The Pocket Potter Kit
Each kit is designed to feel complete, generous, and ready to use straight away.
Every Pocket Potter Kit includes:
1kg of clay (choose between stoneware or Magic Sun-Kissed Clay)
A beginner clay tool set (8–10 essential tools, including carving tools, sponge, and shaping tools)
A reusable fabric work surface for creating anywhere at home
A reusable thick plastic to protect your clay and clay creations from drying out
A simple and effective rolling pin
Step-by-step instruction cards designed for simple, accessible making
QR codes linking to optional guided video demonstrations
The QR videos are there as support if you want them, but the kit is intentionally designed to work completely screen-free using only the printed instructions.
Both pathways are valid. You choose how you want to make.
Clay options
Stoneware clay kit
This is kiln-fired clay used in my studio practice. It can be transformed into durable, long-lasting pieces through firing and glazing. If you choose to continue your piece, it can be brought back through Whistle & Page workshops for kiln firing and finishing.
Magic Sun-Kissed Clay kit (for decorative pieces only)
This is a natural, no-kiln clay that dries at home over time. It is designed for immediate making and easy completion without specialist equipment.
It is ideal for homeschooling, school holidays, and relaxed creative sessions.
Kit sizes
Single maker kit
Designed for individual making, focused creative time, or a quiet personal reset.
Double maker kit
Designed for shared making — parent and child, siblings, friends, or a slow creative date night where you make something together rather than sit side by side on separate devices.
Both makers work on a shared creative experience, shaping one moment rather than separate outcomes.
How it supports homeschooling and creative learning
The Pocket Potter Kit is especially suited to homeschooling environments because it supports:
Hands-on Creative Arts learning without screens
Child-led exploration and open-ended outcomes
Sensory and tactile learning styles
Fine motor development and coordination
Focus, patience, and problem-solving skills
Flexible pacing that adapts to different home learning rhythms
It allows children to learn through making, adjusting, and experimenting rather than following rigid instructions or expected results.
How it works
You open the kit, set up a small workspace, and begin.
You can:
Follow the instruction cards
Use the QR codes for optional guided video support
Or choose a completely screen-free experience using only the printed steps
There is no single correct outcome. The focus is on process, texture, exploration, and confidence through making.
Stoneware pieces can later be brought back for firing and glazing through Whistle & Page workshops, where available.
How to finish your pieces
Once your making is complete, the finishing process depends on the clay you have chosen.
Stoneware clay (kiln-fired option)
Stoneware pieces need to be fired in a kiln to become durable and long-lasting.
Most local pottery studios across Australia offer community firing services. These are generally charged by weight, with an industry range of approximately $10–$20 per kilogram per firing, depending on the studio and whether it is bisque firing, glaze firing, or both.
Some studios may also offer glazing services or guidance if you would like to finish your piece before firing.
If you are working through Whistle & Page workshops, you may also be able to return pieces for glazing and firing, depending on timing and availability.
It is always best to check with your local studio, as kiln services vary slightly between providers.
Magic Sun-Kissed Clay (no kiln required)
If you are using Magic Sun-Kissed Clay, your pieces simply need time to dry naturally.
Allow 24–48 hours of drying time, depending on thickness and environment
Ensure pieces are fully dry before handling or decorating further
Once dry, you can finish your work using:
Acrylic paint
Markers or pens
Simple decorative finishes
Please note that this clay is not food-safe or waterproof, so it is best suited for decorative objects, keepsakes, and creative play rather than functional ware.
A gentle note on making
Clay is a natural material, and it changes as it dries, moves, and is finished. Small imperfections, surface shifts, or cracks are part of the process and often become part of the character of the piece.
This is not something to correct — it is something to notice.
Why I made The Pocket Potter Kit
I made this kit because I wanted to offer something slower.
Something that doesn’t rush children into outcomes. Something that allows adults to sit beside them without needing to lead. Something that creates space for attention in a world that rarely asks for it anymore.
A table. Clay. Time.
That is enough.
Oh Hi! You found me!
I am Nawsheen — a potter and children’s book author creating from rural New South Wales, where the seasons shape the rhythm of my work, and the land sweetly teaches patience.
Clay is my first language. Story is my second.
Each piece I make — wheel-thrown or handbuilt — is formed slowly by hand, honouring movement, texture and the beauty of imperfection. My glazes echo the landscape around me: mossy greens, rain-washed blues, earth after storm. No two pieces are ever the same. I value the evidence of the maker in the made.
Alongside pottery, I write and illustrate children’s books grounded in Australian seasons, gratitude and belonging — stories that speak to children and their grown-ups.
My work sits where art meets function. A cup should steady your morning. A bowl should hold memory. A book should soften the end of a long day.
Through Whistle & Page — From my hands to your heart and home — I choose slowness in a fast world.
Everything I create is an offering of warmth, wonder and connection.
Confessions
We often believe loneliness is solved by having more people around us, yet many women have never felt more isolated despite being constantly surrounded by others. This essay explores the power of "third places," why they have quietly disappeared from modern life, and how creativity, community and pottery can help us rediscover the connection we were never meant to lose.
International Women’s Day 2026 invites us into the theme “Give To Gain” — a reminder that when women support women, we don’t lose ground, we multiply it. In the studio, I see this every day. Clay responds to shared knowledge. Stories expand when spoken aloud. Art becomes powerful when it’s witnessed. This year, we explore how pottery, storytelling and creativity shape not only vessels — but collective change.
Every year, Whistle & Page chooses a theme to guide the rhythm of the studio, the home, and the heart. For 2026, that guiding word is Tend—a small, quiet invitation to care for what already exists. This tender essay explores how tending shows up in the studio’s slow creative process, in family rhythms at the Hyland Hills, and in the gentle ways we nurture connection, community, and our own inner worlds. A year shaped not by striving, but by presence.
As the year folds into its final days, the Hyland Hills slow down and offer space for reflection. This piece gathers the lessons learned in the studio through clay, experimentation, community, and creative resilience. It’s a gentle look back at the moments that shaped the year — and the quiet wisdom that emerges when we move slowly, work intentionally, and listen closely to the craft.
December behind the scenes at Whistle & Page is a mix of clay-dusted joy, kiln scheduling acrobatics, glaze experiments, and dogs providing questionable supervision. This blog opens the studio door to the reality of handmade holiday work—messy, heartfelt, chaotic, and deeply meaningful. It reveals why small-batch ceramics carry the spirit of connection that mass production can’t replicate.
Gift guides take over the internet in December, often leaving us with a sense of pressure rather than joy. This blog offers a gentler path — an exploration of “enoughness,” intentional giving, and finding meaning in connection rather than consumption. It’s a reminder that the most powerful gifts are often handmade, heartfelt, or entirely free.
December in the studio is equal parts clay-covered chaos and surprising moments of stillness. This piece explores how pottery — with its slow processes, patient rhythm, and grounding rituals — offers an antidote to the rush of the season. It’s a reflection on choosing calm over pressure, creativity over perfection, and how handmade practices help us reconnect to what truly matters in the holidays.
December can feel overwhelming — sales, shopping lists, and expectations stacked higher than a kiln load in holiday mode. This blog offers a gentler path, exploring why small-batch ceramics and handmade gifts resonate so deeply at this time of year. From slow crafting to meaningful giving, it’s an invitation to step back, breathe, and choose intention. Discover why supporting small makers isn’t about consumption — it’s about connection.
It’s been a week since that little shiny trophy wandered into my life — popping up on typewriters, garden weeds, and anywhere River Song and Wilfred could sniff it. But once the sparkle settled, I realised this win wasn’t just mine. It belonged to the kids who opened up during Clay Together, the adults who found belonging in workshops, and this beautiful Whistle & Page family that has shaped the heart of my studio. A year into full-time artistry, this award feels like a quiet nudge from the universe saying, “Yes. Keep going.”
As the last kiln of the year hums in the TARDIS studio, I’m reflecting on how November invites us to slow down instead of speeding up. This post explores craft, community, and the gentle art of not overfilling our plates as the festive season approaches.
Tea in Bangladesh has always been more than tea — it’s a language of warmth and belonging. From the earthy matir bhar cups of chaiwallahs to the handmade Cosy Cups I shape in my Australian studio, this ritual connects my Bangladeshi roots to my creative life here. In this story, I reflect on how tea, clay, and memory meet — how every sip, every cup, and every pause becomes a bridge between worlds.
When I left my corporate job, I didn’t have a plan — just clay, curiosity, and a quiet calling. A year on, I’ve learned that building a creative life isn’t about escaping the world, but reshaping it. Millennials like me grew up between slow and fast, analogue and digital, meaning and metrics. Now, we’re learning to create our own pace — to live slowly, intentionally, and wholeheartedly. This is the story of handbuilding a life.
Late October in Murrumbateman is all blossom confetti, tomato seedlings and buzzing bees—not pumpkins. But scroll through your feed, and it’s all ghosts in orange hats and ceramic bats perched on mugs. It’s a reminder that the internet’s seasons don’t always match the soil beneath our feet. This year, instead of squeezing my art into the northern hemisphere’s autumn aesthetic, I’m making spring ghosts—playful little spirits with straw hats and seed packets. They’re a love letter to authenticity, even when the algorithm whispers otherwise.
Pick up a handmade mug, and you’re holding history. Clay has carried stories for 30,000 years—from ancient Japanese vessels to Greek amphorae and Bangladeshi cooking pots. In Australia, Indigenous practices remind us that creativity takes many forms. Every handmade piece we use today continues this human story, connecting our hands to earth, fire, and time itself. Pottery isn’t just functional—it is a vessel of culture, memory, and meaning.
Being an artist in 2025 means living in two worlds: one ruled by algorithms and endless content, the other by clay and fire. Pottery doesn’t bend to speed — a mug takes weeks, not seconds, to exist. Its cracks and wobbles aren’t flaws, but fingerprints of real life. This blog explores the radical act of making by hand in a digital age: mugs as anchors in a rushing world, imperfection as proof of humanity, and why clay resists the very systems that try to flatten us.
Every curve of the Whistle & Page logo carries meaning. Born during maternity leave, amidst the shifts of Matrescence, the logo embodies breath, rhythm, and gathering. The whistle calls people together and echoes the comforting sound of a kettle. The prominent ampersand, shaped like a kettle with spouted pages, bridges art & life, stories & pottery, possibility & connection. Encircled in a timeless circle, it symbolises community, wholeness, and ancient practices of crafting together. For its creator, the logo represents more than design—it’s a living emblem of love, creativity, and shared space.
Days after my 40th birthday, I’m reflecting on my last year of being in my 30s—a year of messy courage, wholehearted choices, and bold leaps. I walked away from a toxic job, embraced my creativity, and invested in my small business, Whistle & Page. It wasn’t about paychecks or perfection; it was about clay-stained hands, quiet mornings with my kids, and building a life that feels truly mine. Raw, funny, heartfelt, and liberating, this year was my final, beautiful chapter before stepping into 40 with joy, resilience, and freedom.
In a world obsessed with speed, growth, and disposability, taking weeks to make a single pot is radical. Every handbuilt mug resists the culture of convenience, mass production, and endless consumption. Pottery asks for patience, care, and presence, reminding us that slowing down is revolutionary. Choosing handmade isn’t nostalgia—it’s resistance, a quiet reclaiming of value, soul, and human connection in daily life.
Potters often get asked to justify their pricing, as though handmade pieces must prove their worth in ways mass-produced goods never do. A $65 mug can feel extravagant in today’s economy—but what does it really represent? Beyond clay and glaze, it carries the invisible weight of labour, skill, time, and the courage to run a one-woman art business. This blog explores why handmade pottery costs what it does, what goes into each piece, and why perhaps the question isn’t “why so much?” but “why so little?” when we consider the true value of craft.
Potters often get asked to justify their pricing, as though handmade pieces must prove their worth in ways mass-produced goods never do. A $65 mug can feel extravagant in today’s economy—but what does it really represent? Beyond clay and glaze, it carries the invisible weight of labour, skill, time, and the courage to run a one-woman art business. This blog explores why handmade pottery costs what it does, what goes into each piece, and why perhaps the question isn’t “why so much?” but “why so little?” when we consider the true value of craft.
Pottery is often sold as slow art—measured, intentional, rooted in earth and time. Yet online, it’s sped up, polished, and compressed into 20-second reels. Mugs painted in acrylics, cracks fixed with pastes like Bisque Fix, and influencers assuring, “It’s not a skill thing.” But is that true? Pottery influencers have opened clay to new audiences, but they’re also reshaping how we see craft. Is repair the same as resilience? Is speed harmless, or does it change the way we value clay itself? In a world built on fast scrolls, how do we preserve the meaning of slow hands?
Eleven years ago, I became a first-time parent — not just to a little boy, but to a dream. Whistle & Page was built in the stolen hours of early motherhood, with clay on my hands and courage in my chest. This is the story of how I learned to back myself, build a soulful business from scratch, and reparent the parts of me that never believed this kind of life was possible.
There’s a lovelybeauty in things that don’t last — the fleeting bloom of dahlias, petals drifting like soft confetti in the autumn breeze. I used to cling to permanence, to perfect mugs and endless seasons with my child. But pottery and life have taught me to lean into mono no aware — the tender ache of impermanence that makes every moment more precious.
Some cups hold more than tea. They carry kitchens from our childhood, quiet acts of kindness, and mornings wrapped in fog. My favourite cup isn’t perfect, but it holds memory, comfort, and grief in equal measure — a reminder that what we hold often holds us right back.
Sometimes the things that hold us together are so small, they slip by unnoticed. The whisper of a kettle before it boils. The tilt of a child’s head over her paints. The sigh of a dog settling in the mudroom. These moments will never make the calendar, yet they stitch my life in ways the big milestones never could. Pottery has taught me this — that quiet, unremarkable moments often leave the deepest marks.
A behind-the-scenes look into the creation of The Rooted Rituals Collection — a seasonal, Japanese-inspired body of work designed to honour the small, essential rituals that bring beauty to daily life.
When the world feels too loud and your mind too full, clay has a quiet way of bringing you home to yourself. In this piece, I share my own story of finding calm through pottery — from my struggles with Seasonal Affective Disorder to the circles I hold for families, where clay becomes ancient medicine for busy hearts and tired minds alike.
In this piece, I open the studio door wide and share how the Japanese philosophy of Shu-Ha-Ri — obey, break, transcend — has quietly shaped not just my pottery, but the way I live, parent and create. A gentle reminder that mastery isn’t the goal — becoming is. If you’ve ever felt pulled between perfection and freedom, this one’s for you.
“Matcha Do About Nothing?” is my deep, frothy dive into the myths, rituals and quiet rebellion behind real matcha — and the humble chawan that makes it magic. From shady tea groves in Japan to my clay-covered hands in Murrumbateman, this one’s for anyone who knows tea is more than just a trend — it’s a pause worth savouring.
More quietly swallowed enough — until I chose slow, purposeful days instead. These days, enough looks like muddy paw prints, quiet cups of tea, and weaving my heart into the small things — even when no one is looking.
Books, Art & Merchandise
Postmarked from Murrumbateman.
A year of letters, pottery and little reasons to look forward to the post.
I have always loved the idea that something can leave one person's hands and, days later, turn up in someone else's life.
A letter. A postcard. A little painting. A piece of pottery made on an ordinary Wednesday afternoon in a studio in Murrumbateman.
So I’ve made something that lets me do more of it, because I think it is a little bit magical.
Whistle & Page Studio Post is my seasonal snail mail subscription from Murrumbateman, Australia, created for people who still like letters, handmade things, good stories and the particular thrill of opening the letterbox to find something that isn't a bill.
Four times a year, something will leave my studio and make its way to you. Depending on which post you choose, it might be a seasonal letter filled with stories and studio news, an excerpt from The Journal, original watercolour artwork, collectible stickers, a creative invitation, a handmade ceramic piece, or the whole lot.
I want it to feel like receiving something from a friend who has been thinking about you while they were making things.
Not another notification. Not another thing to achieve. Just something made with care, arriving at your door and asking you to stop for a moment and have a look.
Because I think we need more reasons to write to one another, more reasons to make things with our hands, and more reminders that creativity does not have to earn its place in our lives by being useful.
Sometimes it can simply make an afternoon better. And sometimes, that is more than enough.
The first 50
Become a founding member of Whistle & Page Studio Post.
Because this is the very first year, I’m beginning with 50 founding places for the inaugural year of Studio Post.
These are the people who will be there for the very first post, as this little idea finds its feet and grows into whatever it is meant to become.
And I wanted to give those first 50 people something more than a number.
Every founding member will receive a special handmade Founding Member Token.
I’ll make a small ceramic token especially for the inaugural year, celebrating your place in the very beginning of Studio Post.
Each token will be individually numbered 1–50, making it a little keepsake of the year you joined.
It is not a loyalty reward or something you need to earn. It is simply my way of saying:
You were here at the beginning.
Your Founding Member Token will travel with your first Studio Post, alongside your Passport and first sticker.
Once the first 50 founding places are filled, founding membership will close and, if there is enough interest, I’ll open a waitlist for future places.
The inaugural mail-out leaves the studio on 15 November 2026, looking back at Spring and welcoming Summer.
Fifty founding members. One first post. A whole year of good mail.
Choose your post
There are three ways to join Whistle & Page Studio Post, depending on whether you are here for the letters, the pottery or would quite like someone else to make the decision for you.
The Correspondent
Seasonal snail mail from Whistle & Page
$29 per season · $99 per year
For people who like letters, stories, paper things and having something lovely arrive in the letterbox.
The Correspondent is the most paper-filled part of Studio Post, although there will be a little clay involved because I am, after all, a potter.
Each seasonal post includes:
The Whistleblower
A printed seasonal edition bringing together stories, studio news and ideas from the months since the last physical edition.
The Journal Card
An excerpt from my latest essay in The Journal, whether it is something I have spent weeks researching or simply something I have been thinking and feeling my way through. A QR code will let you continue reading the full piece online if you fancy it.
A Seasonal Assignment + Journal Prompt
A little invitation to notice, make, write or wonder. There is no marking, no deadline and absolutely no expectation that you will suddenly become the sort of person who completes every journal prompt.
Three original watercolour stickers
Painted by me and made into collectible die-cuts, with one representing each month of the season. They are little pieces of original Whistle & Page artwork to collect, use or keep.
An original Whistle & Page art postcard
A small handmade ceramic keepsake
Because apparently one cannot send a letter from a pottery studio without putting a little clay in the envelope somewhere.
Your Whistle & Page Passport
Your first Correspondent includes your Passport and first sticker.
If you are one of our 50 founding members, your numbered Founding Member Token will also be included with your inaugural post.
Australian postage is included.
Four seasons. Four pieces of mail. Plenty to look forward to.
The Maker’s Post
A year in your hands.
$69 per season · $229 per year
For those who would rather receive something they can hold, use and eventually become emotionally attached to.
Each season, I’ll make a small batch of handmade ceramic pieces especially for Studio Post members.
And no, it will not always be a mug.
It might be a vase, matcha bowl, cereal bowl, wheel-thrown cup, handbuilt piece or something entirely new that has been taking up too much room in my sketchbook.
The shape will change with the season, the studio and whatever I am particularly excited to make at the time. What will remain the same is that each piece will be made by my hands, in my studio, for the people who have chosen to receive it.
Each piece will come with its own story card, and members will receive first access before anything is offered more widely.
Your first Maker’s Post also includes your Whistle & Page Passport and first sticker, and founding members will receive their numbered Founding Member Token with their inaugural Studio Post.
Australian postage is included.
Four seasons. Four pieces of pottery. One very good excuse to put the kettle on.
The Full Post
The whole Whistle & Page letterbox experience.
$89 per season · $299 per year
If choosing between letters and pottery feels like an unnecessary decision, I completely understand.
The Full Post brings together The Correspondent and The Maker’s Post, giving you the seasonal stories, artwork, stickers, creative invitations and ceramic keepsake, along with a handmade ceramic piece from the studio.
Seasonal plans purchased separately would be $98. The Full Post is $89.
Annual plans purchased separately would be $328. The Full Post is $299.
Your Full Post also includes your Whistle & Page Passport and first sticker, while founding members receive their numbered Founding Member Token as part of the inaugural year.
Australian postage is included.
Letters to read. Pottery to live with. Stories to collect.
The Whistle & Page Passport
Collect stories, not points.
Your Passport is not a loyalty card, because I have no interest in turning creativity into a spreadsheet.
It is a little record of your participation in the Whistle & Page community.
You can collect stickers by taking part in seasonal assignments, writing back, joining The Paper Trail Club, participating in future Studio Post activities and selected special projects.
Your first Correspondent, Maker's Post or Full Post includes your Passport and first sticker.
You’ve got mail. Now, you can write back too.
The whole point of sending something is that it has somewhere to go.
If you feel like writing back, you can send correspondence to the Whistle & Page studio letterbox or PO Box.
You don't need to write anything profound. “I saw this saying and thought of you” is a perfectly good reason to put a stamp on something.
Some correspondence will stay between us. Occasionally, with your permission, I may share a letter, story or response with the wider community.
Because I don't want Studio Post to be something that just travels in one direction.
I want it to create little threads between people who may never otherwise have met. A postcard from one town. A letter from another. A story that makes someone laugh. A thought that makes someone stop. A piece of pottery sitting on a kitchen bench, slowly becoming part of someone's everyday life.
That is the bit I really love.
Four seasons. One year.
SPRING · September–November
Mail-Out: 15 November
SUMMER · December–February
Mail-Out: 15 February
AUTUMN · March–May
Mail-Out: 15 May
WINTER · June–August
Mail-Out: 15 August
The inaugural Studio Post leaves the studio on 15 November 2026, postmarked from Murrumbateman.
This first edition will look back over Spring, welcome the beginning of Summer and introduce our founding members to Whistle & Page Studio Post.
From there, seasonal posts will follow through Summer, Autumn and Winter, creating a full year of correspondence, creativity and handmade pottery.
Frequently asked questions
What is Whistle & Page Studio Post?
Whistle & Page Studio Post is a seasonal snail mail subscription from Whistle & Page, a handmade pottery and creative studio in Murrumbateman, NSW.
Four times a year, members receive a curated piece of mail from the studio containing letters, stories, artwork, creative invitations and handmade pottery, depending on the post they choose.
It is a way of sending a little piece of the studio into your life throughout the year.
What is included in Whistle & Page Studio Post?
There are three options.
The Correspondent includes seasonal letters and studio news, a Journal Card, a seasonal creative prompt, three original watercolour stickers, an art postcard, a small ceramic keepsake and your Whistle & Page Passport.
The Maker’s Post includes a seasonal handmade ceramic piece, its story card, your Whistle & Page Passport and first sticker.
The Full Post combines both.
All three options include Australian postage.
The first 50 founding members will also receive a numbered handmade Founding Member Token celebrating their place in the inaugural year.
When does Whistle & Page Studio Post begin?
The inaugural mail-out leaves the Whistle & Page studio in Murrumbateman on 15 November 2026, looking back at Spring and welcoming Summer.
How many founding memberships are available?
There are 50 founding memberships available for the inaugural year.
Once all 50 places are filled, founding membership will close.
What is a founding member of Studio Post?
A founding member is one of the first 50 people to join Whistle & Page Studio Post for its inaugural year.
Founding members receive a special numbered handmade ceramic Founding Member Token, along with their first Studio Post, Passport and sticker.
It is a small piece of pottery made specifically to commemorate the beginning of Studio Post.
Can I join Studio Post now?
Yes. The 50 founding memberships are available to purchase now.
There is no Expression of Interest process. If one of the founding places is available when you visit the page, you can choose your post and join immediately.
How often will something arrive?
Studio Post is seasonal, so something will arrive four times a year.
The annual mail-out schedule is:
15 November · 15 February · 15 May · 15 August
Is this a snail mail subscription?
Yes.
Studio Post is a modern take on traditional snail mail, combining physical letters and postcards with original artwork, creative prompts and handmade ceramics from the Whistle & Page studio.
Is there a handmade pottery subscription option?
Yes.
The Maker’s Post is the handmade ceramics option within Studio Post. Members receive one seasonal ceramic piece made especially for the subscription.
The piece will not always be a mug. It may be a vase, bowl, matcha bowl, cup or another handmade form chosen for that season.
Will The Maker’s Post always be a mug?
No.
The whole point is to let each season and the studio decide.
You might receive a mug one season and a vase, bowl, matcha bowl or something completely unexpected the next.
Do I need to buy pottery to join?
Not at all.
The Correspondent is designed for people who want the stories, artwork, creative invitations and mail without subscribing to seasonal pottery.
Do I have to be creative or artistic?
Absolutely not.
You do not need to be an artist, own a beautiful journal or have your life remotely organised.
You simply need to like good stories, handmade things and the small joy of receiving something made with you in mind.
Is Studio Post available across Australia?
Yes.
Australian postage is included with all three Studio Post options, so you can join from anywhere in Australia.
Is postage included?
Yes. Australian postage is included in all three options.
What happens if I miss a seasonal assignment?
Nothing.
There is no homework, no attendance sheet and no disappointed teacher writing “see me” at the bottom of your Passport.
The invitations are there if you want them. You can write, draw, make, notice, think or simply tuck the card somewhere safe and come back to it six months later.
There is no wrong way to participate.
Postmarked from Murrumbateman
I started Whistle & Page because I wanted to make things that carried stories.
Over the years, those stories have found their way into pottery, books, paintings, letters, workshops and conversations with people I might never have met otherwise.
Studio Post is an extension of that.
It is a way of sending something beyond the studio walls and into the homes, kitchens, desks and lives of people who have chosen to come along for the journey.
I think there is still value in making something slowly enough to hold it in your hands before you send it away, and in writing to someone just because you thought of them. And I think there is definitely value in having something arrive that does not ask you to click, scroll, respond or perform. Particularly in lives that are already full, we deserve more things that remind us that being curious and creative is not something we have to grow out of.
So this is my invitation. Choose your post. I'll make it here in Murrumbateman. I'll put a stamp on it. And I'll send it your way.
The first Studio Post leaves on 15 November 2026.
Fifty founding memberships are now open.
From my hands to your heart and home.
“Practising gratitude to honour what’s ordinary about our lives, because that is what’s truly extraordinary.” — Brené Brown
For full days and growing minds, Grateful offers a simple way to pause and reconnect — together.
Originally written as a bedtime story for my own children, this book gently introduces gratitude as something to notice within everyday life. Not another task to add, but a small, meaningful ritual — a conversation at bedtime, a moment to reflect, a way to wind down.
It began as a 3am project, written quietly while watching my baby sleep. With little time during the day, each page came together at night — shaped in the in-between hours, alongside the steady rhythm of a sleeping home.
Now ready to be shared, Grateful invites the little humans in your life to recognise the people, places, and moments that make their world feel full.
Created in regional NSW, this first book in the Blooming Hearts series is a thoughtful addition to your daily rhythm — and a simple way to support a local, independent artist.
Product Highlights
Written and illustrated in regional NSW, Australia
First book in the Blooming Hearts series
Designed for bedtime and everyday family rituals
Encourages gratitude through simple, relatable storytelling
Supports a local, independent artist and small business
This story follows a family as they move through the seasons — noticing small shifts and significant changes, honouring traditions, observing the land, and growing together through familiar rhythms.
It is a story about belonging. About paying attention. About recognising that the world around us provides generously when we learn to truly see it.
At its heart, this book explores:
• Family traditions that steady children through change
• Seasonal living and observing the natural world
• The confidence that grows from familiarity and routine
• Gratitude for the land that sustains us
Research consistently shows that shared family rituals and traditions support children’s emotional security, resilience, and sense of identity. When children know “this is what we do,” it strengthens their internal stability — especially during times of growth and transition.
Spending time noticing and engaging with the natural world has also been linked to improved emotional regulation, attention, creativity, and overall wellbeing in children. Even simple acts — observing seasonal changes, gardening, walking outdoors — help develop environmental awareness and a lifelong sense of care for the land.
Reading stories together that reflect these rhythms deepens connection. Studies on shared reading show it strengthens parent–child attachment, language development, empathy, and emotional literacy.
This book is designed to be part of those moments.
To be read slowly.
To be revisited each season.
To become one of your family’s own traditions.
Independently written, illustrated and published through Whistle & Page — from my hands to your heart and home.
Why Order?
Ordering supports independent Australian publishing and allows me to continue creating meaningful, heart-led stories for families and classrooms.
Your early support directly funds small-batch printing, ethical production, and future books in the Blooming Hearts series.
Product Highlights
Second book in the Blooming Hearts series
Written and illustrated in regional NSW, Australia
Explores seasonal living, family traditions, and belonging
Supports children through change with familiar rhythms
Designed for shared reading and everyday family rituals
Pre-order supports local, independent publishing
Sometimes you just need a little pocket of art. A moment of beauty in your day. Something to send, frame, gift, or keep for yourself. That’s where the Paper Windows Art Postcards come in.
Created as a seasonal series, this first edition — Summer Edition — features ten mini artworks printed on 324gsm recycled, uncoated card, beautifully tactile and easy to write on. Each postcard is a snapshot from my world: landscapes, botanicals, still life, personal moments, and memories that shaped Whistle & Page.
Whether you’re a collector of small joys, searching for a thoughtful gift, or simply craving something creative in your life, these postcards are designed to make those moments accessible, intentional, and joyful.
The Collection: Ten Summer Postcards
1. Becoming Whistle & Page – The evolution of the Whistle & Page logo, a small story of how this creative home came to life.
2. Vows on Flagstaff Hill – A coastal landscape from Wollongong, where I exchanged my vows, captured in brushstrokes.
3. Fuji in Light – Snow-capped Mount Fuji, serene, luminous, and unforgettable.
4. Nara in Soft Conversation – Two deer in Deer Park, Nara, curled close, embodying gentleness and connection.
5. Red Poppies in Full Bloom – Bold, bright, and celebratory — a nod to summer’s warmth and colour.
6. Child at the Edge of the Sea – A tender, nostalgic glimpse of my little one facing the water, universal in its wonder.
7. Green Veins – Detailed leaves alive with texture, veins, and life.
8. Lychees in the Warm Season – Juicy summer lychees hanging heavy on the branch, waiting to be picked.
9. Still Warm from the Oven – A loaf of sourdough cooling on baking paper — a sweet celebration of home, warmth, and ritual.
10. Terrarium No. 1: A Garden in Glass – Layered soil, stones, and a rubber plant, a tiny ecosystem you can hold.
How to Use Them
These postcards are intentionally versatile:
Post a thoughtful note to someone special
Frame a mini art print for your wall, shelf, or desk
Gift a small, meaningful piece without overthinking
Keep a slice of summer, creativity, or memory for yourself
They’re uncoated so they’re smooth to write on with no smudges, yet bold enough to display as miniature art.
Paper & Printing
324gsm recycled card
Uncoated, tactile, and writable
Full-colour, fine-detail reproduction of original artworks
Made in Australia, designed to be posted or framed
Why You’ll Love Them
These postcards are for anyone who wants:
Small, meaningful pockets of art in their day
Affordable Australian human-made art gifts or stationery
Mini art prints to display, share, or collect
Creative inspiration in a busy world
A connection to Whistle & Page and the moments that shape it
This collection is designed to grow with the seasons — From My World to Yours will become a series of ten postcards released each summer, autumn, winter, and spring. A gentle reminder that beauty, creativity, and connection can fit in your hands.
Product Highlights
Set of ten mini artworks on 324gsm recycled, uncoated card
Designed for posting, framing, gifting, or collecting
Full-colour, fine-detail reproduction of original artworks
Smooth writable surface, bold enough to display as miniature art
Made in Australia, hand-curated from Whistle & Page
Summer Edition, first in a seasonal series | Pre-orders now open
• 100% combed cotton
• Heather colors are 15% viscose and 85% cotton
• Fabric weight: 5.3 oz/yd² (180 g/m²)
• Relaxed fit
• Cropped length
• Ribbed crew neck
• Dropped shoulders
• Side-seamed construction
• Shoulder-to-shoulder taping
• Double-needle hems
• Preshrunk
• Blank product sourced from Bangladesh
This product is made especially for you as soon as you place an order, which is why it takes us a bit longer to deliver it to you. Making products on demand instead of in bulk helps reduce overproduction, so thank you for making thoughtful purchasing decisions!
• 52% airlume combed and ring-spun cotton, 48% poly fleece
• Fabric weight: 6.5 oz/yd² (220.39 g/m²)
• Dyed-to-match drawstrings
• Dropped shoulder cut
• Cropped body with a raw hem
• Blank product sourced from Mexico, Nicaragua or the United States
This product is made especially for you as soon as you place an order, which is why it takes us a bit longer to deliver it to you. Making products on demand instead of in bulk helps reduce overproduction, so thank you for making thoughtful purchasing decisions!
• 100% acrylic
• Wide, ribbed knit
• Snug, comfortable fit
• Versatile style suitable for different outfits
• One size fits most
• Blank product sourced from China
This product is made especially for you as soon as you place an order, which is why it takes us a bit longer to deliver it to you. Making products on demand instead of in bulk helps reduce overproduction, so thank you for making thoughtful purchasing decisions!
• 100% organic cotton
• Fabric weight: 8 oz/yd² (271 g/m²)
• 3/1 twill
• Unstructured
• 6 panel
• Matching sewn eyelets
• Self-fabric adjustable closure with a brass slider and hidden tuck-in
• OCS (Organic Content Standard) and GRS (Global Recycled Standard) certified
• Blank product sourced from China
This product is made especially for you as soon as you place an order, which is why it takes us a bit longer to deliver it to you. Making products on demand instead of in bulk helps reduce overproduction, so thank you for making thoughtful purchasing decisions!
• 100% certified organic cotton 3/1 twill
• Fabric weight: 8 oz/yd² (272 g/m²)
• Dimensions: 20″ × 14″ × 5″ (50.8 × 35.6 × 12.7 cm)
• Capacity: 6 gallons (23 l)
• Weight limit: 30 lbs (13.6 kg)
• 1″ × 25″ (2.5 × 63.5 cm) long self-fabric dual straps
• Open main compartment, flat bottom
• Blank product sourced from China or India
Disclaimer: The care instructions on the tearaway label may wash off after cleaning.
This product is made especially for you as soon as you place an order, which is why it takes us a bit longer to deliver it to you. Making products on demand instead of in bulk helps reduce overproduction, so thank you for making thoughtful purchasing decisions!
• 100% polyester
• Bag size: 15″ × 15″ (39 × 39 cm)
• Capacity: 2.6 US gal (10 l)
• Maximum weight limit: 44lbs (20 kg)
• Dual handles made from 100% natural cotton bull denim
• Handle length: 26″ (67 cm), width 1″ (2.5 cm)
• The handles can slightly differ depending on the fulfillment location
This product is made especially for you as soon as you place an order, which is why it takes us a bit longer to deliver it to you. Making products on demand instead of in bulk helps reduce overproduction, so thank you for making thoughtful purchasing decisions!
Give the gift of all the things with a Whistle & Page gift card! Whether they’re eyeing a handmade mug, signing up for a pottery workshop, or diving into the Blooming Hearts book series, this card’s got it covered. From quirky artwork to the perfect piece of pottery, it’s the gift that keeps on giving. Perfect for anyone who loves creativity, handmade goodness, and a bit of fun!
Visit the Additional Info section to download a printable PDF of the Gift Voucher that you can fill out and use.
Recent Instagram Posts:
Upcoming events:
Awards & Community Connections:
Whistle & Page is proud to be part of a vibrant, creative, and supportive community. Each connection and membership allows me to continue my mission: creating handcrafted pottery, artwork, children’s books, and workshops that bring connection, care, and creativity to everyday life.
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Local Business Awards 2025 – Winner, Outstanding Antiques, Arts, Crafts & Gifts: Celebrating craftsmanship and creativity.
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Makers of Murrumbateman (Member since 2020, Vice President 2025): A local collective supporting makers through events, collaboration, and arts advocacy.
Australian Ceramics Association (Full Member): Promoting ceramic arts nationally and supporting professional development.
Visual Arts Society of Yass (Member 2024): Supporting artists, exhibitions, and community engagement in the Yass region.
Creative Gunning (Member 2025): Fostering regional arts and collaborative projects across NSW.
Southern Tablelands Arts (Member 2025): Connecting regional artists and promoting creative initiatives.
Yass Valley Business Chamber (Member 2024): Advocating for local businesses and supporting enterprise in the region.
Yass Valley Tourism Attraction: Welcoming visitors to experience the studio and its creative offerings.
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Working with Vulnerable People (WWVP) ACT
Working with Children Check (WWCC) NSW
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Ceramic Materials Workshop (Student): Intensive study of clay, glazes, and handbuilding techniques.
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Whistle & Page has also been featured in regional media, including WIN News Canberra (Nov 2025) and Storylines on Yass FM (Oct 2025, artist interview).
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Whistle & Page welcomes NDIS participants to explore creativity through pottery in a calm and supportive studio. Workshops are suitable for self-managed or plan-managed participants and focus on building confidence, practical skills, and social connection through hands-on clay experiences. Learn more.




Postmarked from Murrumbateman.
A year of letters, pottery and little reasons to look forward to the post.
I have always loved the idea that something can leave one person's hands and, days later, turn up in someone else's life.
A letter. A postcard. A little painting. A piece of pottery made on an ordinary Wednesday afternoon in a studio in Murrumbateman.
So I’ve made something that lets me do more of it, because I think it is a little bit magical.
Whistle & Page Studio Post is my seasonal snail mail subscription from Murrumbateman, Australia, created for people who still like letters, handmade things, good stories and the particular thrill of opening the letterbox to find something that isn't a bill.
Four times a year, something will leave my studio and make its way to you. Depending on which post you choose, it might be a seasonal letter filled with stories and studio news, an excerpt from The Journal, original watercolour artwork, collectible stickers, a creative invitation, a handmade ceramic piece, or the whole lot.
I want it to feel like receiving something from a friend who has been thinking about you while they were making things.
Not another notification. Not another thing to achieve. Just something made with care, arriving at your door and asking you to stop for a moment and have a look.
Because I think we need more reasons to write to one another, more reasons to make things with our hands, and more reminders that creativity does not have to earn its place in our lives by being useful.
Sometimes it can simply make an afternoon better. And sometimes, that is more than enough.
The first 50
Become a founding member of Whistle & Page Studio Post.
Because this is the very first year, I’m beginning with 50 founding places for the inaugural year of Studio Post.
These are the people who will be there for the very first post, as this little idea finds its feet and grows into whatever it is meant to become.
And I wanted to give those first 50 people something more than a number.
Every founding member will receive a special handmade Founding Member Token.
I’ll make a small ceramic token especially for the inaugural year, celebrating your place in the very beginning of Studio Post.
Each token will be individually numbered 1–50, making it a little keepsake of the year you joined.
It is not a loyalty reward or something you need to earn. It is simply my way of saying:
You were here at the beginning.
Your Founding Member Token will travel with your first Studio Post, alongside your Passport and first sticker.
Once the first 50 founding places are filled, founding membership will close and, if there is enough interest, I’ll open a waitlist for future places.
The inaugural mail-out leaves the studio on 15 November 2026, looking back at Spring and welcoming Summer.
Fifty founding members. One first post. A whole year of good mail.
Choose your post
There are three ways to join Whistle & Page Studio Post, depending on whether you are here for the letters, the pottery or would quite like someone else to make the decision for you.
The Correspondent
Seasonal snail mail from Whistle & Page
$29 per season · $99 per year
For people who like letters, stories, paper things and having something lovely arrive in the letterbox.
The Correspondent is the most paper-filled part of Studio Post, although there will be a little clay involved because I am, after all, a potter.
Each seasonal post includes:
The Whistleblower
A printed seasonal edition bringing together stories, studio news and ideas from the months since the last physical edition.
The Journal Card
An excerpt from my latest essay in The Journal, whether it is something I have spent weeks researching or simply something I have been thinking and feeling my way through. A QR code will let you continue reading the full piece online if you fancy it.
A Seasonal Assignment + Journal Prompt
A little invitation to notice, make, write or wonder. There is no marking, no deadline and absolutely no expectation that you will suddenly become the sort of person who completes every journal prompt.
Three original watercolour stickers
Painted by me and made into collectible die-cuts, with one representing each month of the season. They are little pieces of original Whistle & Page artwork to collect, use or keep.
An original Whistle & Page art postcard
A small handmade ceramic keepsake
Because apparently one cannot send a letter from a pottery studio without putting a little clay in the envelope somewhere.
Your Whistle & Page Passport
Your first Correspondent includes your Passport and first sticker.
If you are one of our 50 founding members, your numbered Founding Member Token will also be included with your inaugural post.
Australian postage is included.
Four seasons. Four pieces of mail. Plenty to look forward to.
The Maker’s Post
A year in your hands.
$69 per season · $229 per year
For those who would rather receive something they can hold, use and eventually become emotionally attached to.
Each season, I’ll make a small batch of handmade ceramic pieces especially for Studio Post members.
And no, it will not always be a mug.
It might be a vase, matcha bowl, cereal bowl, wheel-thrown cup, handbuilt piece or something entirely new that has been taking up too much room in my sketchbook.
The shape will change with the season, the studio and whatever I am particularly excited to make at the time. What will remain the same is that each piece will be made by my hands, in my studio, for the people who have chosen to receive it.
Each piece will come with its own story card, and members will receive first access before anything is offered more widely.
Your first Maker’s Post also includes your Whistle & Page Passport and first sticker, and founding members will receive their numbered Founding Member Token with their inaugural Studio Post.
Australian postage is included.
Four seasons. Four pieces of pottery. One very good excuse to put the kettle on.
The Full Post
The whole Whistle & Page letterbox experience.
$89 per season · $299 per year
If choosing between letters and pottery feels like an unnecessary decision, I completely understand.
The Full Post brings together The Correspondent and The Maker’s Post, giving you the seasonal stories, artwork, stickers, creative invitations and ceramic keepsake, along with a handmade ceramic piece from the studio.
Seasonal plans purchased separately would be $98. The Full Post is $89.
Annual plans purchased separately would be $328. The Full Post is $299.
Your Full Post also includes your Whistle & Page Passport and first sticker, while founding members receive their numbered Founding Member Token as part of the inaugural year.
Australian postage is included.
Letters to read. Pottery to live with. Stories to collect.
The Whistle & Page Passport
Collect stories, not points.
Your Passport is not a loyalty card, because I have no interest in turning creativity into a spreadsheet.
It is a little record of your participation in the Whistle & Page community.
You can collect stickers by taking part in seasonal assignments, writing back, joining The Paper Trail Club, participating in future Studio Post activities and selected special projects.
Your first Correspondent, Maker's Post or Full Post includes your Passport and first sticker.
You’ve got mail. Now, you can write back too.
The whole point of sending something is that it has somewhere to go.
If you feel like writing back, you can send correspondence to the Whistle & Page studio letterbox or PO Box.
You don't need to write anything profound. “I saw this saying and thought of you” is a perfectly good reason to put a stamp on something.
Some correspondence will stay between us. Occasionally, with your permission, I may share a letter, story or response with the wider community.
Because I don't want Studio Post to be something that just travels in one direction.
I want it to create little threads between people who may never otherwise have met. A postcard from one town. A letter from another. A story that makes someone laugh. A thought that makes someone stop. A piece of pottery sitting on a kitchen bench, slowly becoming part of someone's everyday life.
That is the bit I really love.
Four seasons. One year.
SPRING · September–November
Mail-Out: 15 November
SUMMER · December–February
Mail-Out: 15 February
AUTUMN · March–May
Mail-Out: 15 May
WINTER · June–August
Mail-Out: 15 August
The inaugural Studio Post leaves the studio on 15 November 2026, postmarked from Murrumbateman.
This first edition will look back over Spring, welcome the beginning of Summer and introduce our founding members to Whistle & Page Studio Post.
From there, seasonal posts will follow through Summer, Autumn and Winter, creating a full year of correspondence, creativity and handmade pottery.
Postmarked from Murrumbateman
I started Whistle & Page because I wanted to make things that carried stories.
Over the years, those stories have found their way into pottery, books, paintings, letters, workshops and conversations with people I might never have met otherwise.
Studio Post is an extension of that.
It is a way of sending something beyond the studio walls and into the homes, kitchens, desks and lives of people who have chosen to come along for the journey.
I think there is still value in making something slowly enough to hold it in your hands before you send it away, and in writing to someone just because you thought of them. And I think there is definitely value in having something arrive that does not ask you to click, scroll, respond or perform. Particularly in lives that are already full, we deserve more things that remind us that being curious and creative is not something we have to grow out of.
So this is my invitation. Choose your post. I'll make it here in Murrumbateman. I'll put a stamp on it. And I'll send it your way.
The first Studio Post leaves on 15 November 2026.
Fifty founding memberships are now open.
From my hands to your heart and home.